Monthly Archives: September 2012

Big ideas

Elliott Hayes was a playwright & dramaturg, the literary manager of the Stratford Festival for awhile in the 1980s. A friend of mine introduced me to him, a really big deal I thought, an opportunity to maybe get some input … Continue reading

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Solidarity

I doubt that anyone of genuinely conservative leanings will read this unless they mistake it for an opera review.  Hm someday someone may write an opera about Lech Walesa, perhaps in Polish or Prussian.  But the title of such an … Continue reading

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Statement from Ken Gass re: Factory Theatre

Statement from Ken Gass re Factory Theatre The extent of the community response to my abrupt firing from Factory Theatre on June 20th was unexpected and overwhelming.  More than 4200 people signed a petition demanding my reinstatement and the board’s … Continue reading

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I am not my voice

I tried to run away myself To run away and wrestle with my ego—Joni Mitchell One can imagine, somewhere between selfless slavery and imperial command, a middle way.  There’s a place one can imagine in the tao of the performer, … Continue reading

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Worth Waiting for Julie

There is much to admire in Louis Dufort’s opera Julie Sits Waiting.  It’s conservative to suggest an opera “belongs” in any sense to the composer, particularly a work that’s clearly a collaborative work across several disciplines.  Call me old-fashioned. But … Continue reading

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September Buzz

In the circles I share in person or online I am thinking about the question of buzz, to which I alluded recently. I’m excited to be going to a brand-new opera tomorrow night, namely Julie Sits Waiting.  It’s hard for … Continue reading

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Backbone and the moral high-ground

As a Canadian I am sitting back, wondering whether Barack Obama will be re-elected or not, and what impact if any, we’ll see from these events north of the border in Canada. It makes great television, a dramatic pageant ritualistically … Continue reading

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