Author Archives: barczablog

Candide with the Toronto Symphony: using our imaginations

Posted on April 27, 2018 by barczablog

Tonight was the first of two concert performances of Candide presented by the Toronto Symphony at Roy Thomson Hall in the worldwide celebration of Leonard Bernstein’s centennial year. Earlier this week Joseph So was rapturous in his description of a … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , , , , , , , | 5 Comments

Ulysses comes home

Posted on April 22, 2018 by barczablog

Opera Atelier’s Revival of Monteverdi’s The Return of Ulysses (1640) starts slowly but builds to a strong finish.  By intermission I had enjoyed a few moments (Kresimir Spicer in the title role and Mireille Lebel as Penelope, and Meghan Lindsay … Continue reading →

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Eagerly anticipating Against the Grain’s Orphée⁺ next week

Posted on April 21, 2018 by barczablog

I’m writing about Against the Grain Theatre right now as I think about their imminent co-production of Gluck’s opera, that they are calling Orphée⁺ (the original press release said “an international co-production between AtG, the Banff Centre for Arts and Creativity, and Opera Columbus“, … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays | Tagged , , , , , , , , , , , , | Leave a comment

I love dogs & The Post

Posted on April 21, 2018 by barczablog

Living through the daily assault upon one’s sensibility leads one to take protective measures.  Whatever does get you through the night? I vacillate between truth and escapism. Truth consists of various sorts of political content, whether on a news network … Continue reading →

Posted in Animals, domestic & wild, Cinema, video & DVDs, Politics, Reviews | Tagged , , , , , , , , , , | 1 Comment

Questions for Tracy Dahl

Posted on April 19, 2018 by barczablog

In the recent Canadian Opera Company Cosi fan tutte from just over 4 years ago, Tracy Dahl’s sparkling portrayal of Despina was the breath of fresh air that we desperately needed in Atom Egoyan’s dark intense interpretation. Here’s what I … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Music and musicology, Opera | Leave a comment

Hockey Noir: A bilingual Chamber Opera in 3 Periods

Posted on April 18, 2018 by barczablog

May 10–11, 2018, 8 pm Jane Mallet Theatre St. Lawrence Centre for the Arts 27 Front Street East, Toronto, ON, CA,M5E 1B4 MAP BUY TICKETS Continuum is thrilled to present our first full-scale multimedia opera in this special collaboration. Set in the 1950s, … Continue reading →

Posted in Opera, Press Releases and Announcements | Leave a comment

The Nightingale is back

Posted on April 15, 2018 by barczablog

There’s another signature production for the Canadian Opera Company.  At one time it was Robert Lepage’s double bill of Bluebeard’s Castle & Erwartung but I think a more recent Lepage opus has at least joined it, if not taken its … Continue reading →

Posted in Opera, Reviews | 1 Comment

Yom HaShoah: Holocaust Remembrance at the RBA

Posted on April 11, 2018 by barczablog

It’s interesting that on consecutive days, the Canadian Opera Company gave their noon-hour concert in the Richard Bradshaw Amphitheatre over to a performance resembling an act of remembrance. Yesterday was Jeremy Dutcher’s concert, in which he seemed to address the … Continue reading →

Posted in Music and musicology, Opera, Politics, Reviews, Spirituality & Religion | 1 Comment

I Remember: UTS

Posted on April 11, 2018 by barczablog

I’m going through a series of retrospective experiences. Yesterday was Jeremy Dutcher’s concert exploring and re-visiting music from his culture.  Today I heard a Holocaust memorial performance (review still to come). And the whole time as a kind of background … Continue reading →

Posted in Music and musicology, Personal ruminations & essays, University life | 3 Comments

Jeremy Dutcher at the RBA

Posted on April 11, 2018 by barczablog

I’ve heard Jeremy Dutcher before in collaboration with other artists: As part of the first Electric Messiah in 2015 As part of Toronto Consort’s Kanatha/Canada: First Encounters, a little over a year ago This time we heard him alone. Having … Continue reading →

Posted in Music and musicology, Spirituality & Religion | 5 Comments