Tag Archives: Carla Huhtanen

Opera Atelier’s Resurrection

Posted on June 2, 2021 by barczablog

When you study theatre history one of the first things you may encounter is the quem quaeritis trope. It’s so short that I can quote it in its entirety, a tiny four line drama re-enacted at Easter in churches. Angels: … Continue reading →

Posted in Art, Architecture & Design, Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera, Reviews, Spirituality & Religion | Tagged , , , , , , , , , , , , , | Leave a comment

New & Improved Don Giovanni

Posted on November 3, 2019 by barczablog

I saw Opera Atelier’s revival of Don Giovanni that’s running at the Ed Mirvish Theatre.  I loved it last time & it continues to thrill me as though it weren’t an opera I’ve known since childhood. But it feels new.  … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , , , , , | Leave a comment

Ulysses comes home

Posted on April 22, 2018 by barczablog

Opera Atelier’s Revival of Monteverdi’s The Return of Ulysses (1640) starts slowly but builds to a strong finish.  By intermission I had enjoyed a few moments (Kresimir Spicer in the title role and Mireille Lebel as Penelope, and Meghan Lindsay … Continue reading →

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An Electric Messiah comes to Messiahville

Posted on December 9, 2015 by barczablog

We may as well be living in Messiahville. There are so many performances of this work in Toronto, it’s amazing that they don’t play excerpts on the organ at hockey games (but then again, there’s been so little cause for … Continue reading →

Posted in Music and musicology, Opera, Popular music & culture, Reviews | Tagged , , , , , | 4 Comments

Perfecting Persée

Posted on April 28, 2014 by barczablog

This morning I wondered, hm will I have anything to say?  This is Opera Atelier’s third Persée this millennium.  And now I have so much to say that I’ll probably have to split it into at least two separate posts.  … Continue reading →

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Tapestry Briefs

Posted on September 21, 2013 by barczablog

Back i go to the laboratory. A couple of nights ago I wrote about YouTopia and spoke of the virtues of experimentation. The Tapestry Briefs are a dozen short works from a handful of collaborators who were paired off for … Continue reading →

Posted in Opera, Reviews | Tagged , , , , , , , , , | 2 Comments

Coming of Age Stories

Posted on April 5, 2013 by barczablog

With the passage of time, people get older.  The battles that consumed them in their youth are set aside, as they seek stability and begin to contemplate their legacy.  In that gradual coming into focus, frivolity falls by the wayside … Continue reading →

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10 Questions for Carla Huhtanen

Posted on February 27, 2013 by barczablog

Soprano Carla Huhtanen is in demand internationally for her soaring, translucent voice, her winning stage presence, and her diverse repertoire, gracing stages throughout Europe and across North America, a strong interpreter of traditional repertoire, unafraid of new composition. A regular … Continue reading →

Posted in Interviews | Tagged , , , , , , | 2 Comments

First look at Freischütz

Posted on October 26, 2012 by barczablog

Tonight I attended the dress rehearsal of the Opera Atelier production of Carl Maria von Weber’s Der Freischütz at the Elgin Theatre, a moment I’d been eagerly anticipating for weeks. Coming into the evening I was certain we’d have at … Continue reading →

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HIP Don Giovanni

Posted on October 28, 2011 by barczablog

Facing the prospect of being saturated Saturday in the Dons Giovanni (what with a Met matinée and an opening night for Opera Atelier, offering the same opera twice in one day) I am surprising myself.  Even though I saw the … Continue reading →

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