Tag Archives: Carla Huhtanen

Ulysses comes home

Posted on April 22, 2018 by

Opera Atelier’s Revival of Monteverdi’s The Return of Ulysses (1640) starts slowly but builds to a strong finish.  By intermission I had enjoyed a few moments (Kresimir Spicer in the title role and Mireille Lebel as Penelope, and Meghan Lindsay … Continue reading →

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An Electric Messiah comes to Messiahville

Posted on December 9, 2015 by

We may as well be living in Messiahville. There are so many performances of this work in Toronto, it’s amazing that they don’t play excerpts on the organ at hockey games (but then again, there’s been so little cause for … Continue reading →

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Perfecting Persée

Posted on April 28, 2014 by

This morning I wondered, hm will I have anything to say?  This is Opera Atelier’s third Persée this millennium.  And now I have so much to say that I’ll probably have to split it into at least two separate posts.  … Continue reading →

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Tapestry Briefs

Posted on September 21, 2013 by

Back i go to the laboratory. A couple of nights ago I wrote about YouTopia and spoke of the virtues of experimentation. The Tapestry Briefs are a dozen short works from a handful of collaborators who were paired off for … Continue reading →

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Coming of Age Stories

Posted on April 5, 2013 by

With the passage of time, people get older.  The battles that consumed them in their youth are set aside, as they seek stability and begin to contemplate their legacy.  In that gradual coming into focus, frivolity falls by the wayside … Continue reading →

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10 Questions for Carla Huhtanen

Posted on February 27, 2013 by

Soprano Carla Huhtanen is in demand internationally for her soaring, translucent voice, her winning stage presence, and her diverse repertoire, gracing stages throughout Europe and across North America, a strong interpreter of traditional repertoire, unafraid of new composition. A regular … Continue reading →

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First look at Freischütz

Posted on October 26, 2012 by

Tonight I attended the dress rehearsal of the Opera Atelier production of Carl Maria von Weber’s Der Freischütz at the Elgin Theatre, a moment I’d been eagerly anticipating for weeks. Coming into the evening I was certain we’d have at … Continue reading →

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