Category Archives: Dance, theatre & musicals

H̶a̶m̶l̶e̶t̶ at Tarragon

Posted on January 11, 2018 by barczablog

On the program it’s Hamlet but the font is struck through like this: H̶a̶m̶l̶e̶t̶. I wondered, was this to be a musical? The advance description said “Shakespeare’s best-known tragedy is reimagined on the Tarragon stage through the powerful lens of … Continue reading →

Posted in Dance, theatre & musicals, Reviews | 1 Comment

Who is Guido? I ask the women of NINE

Posted on January 8, 2018 by barczablog

Podium Concert Productions, who will be presenting Nine in Concert January 12-13 describe the show this way: Based on Italian director Federico Fellini’s comic masterpiece of biographical filmmaking, 8 1/2, Maury Yeston’s sultry and enchanting musical Nine follows the life … Continue reading →

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Wild and crazy Wedding Party

Posted on January 6, 2018 by barczablog

My second visit to the Guloien Theatre at Streetcar Crowsnest was very different from my last one, entranced by Musik für das Ende, the world and work of Claude Vivier last fall. While it’s a different sort of magic, the … Continue reading →

Posted in Dance, theatre & musicals | 4 Comments

Candide at Toronto Operetta Theatre

Posted on December 29, 2017 by barczablog

Tonight was the first of six performances of Leonard Bernstein’s Candide, running on consecutive weekends (evenings of Dec 28 & 30 Jan 5 & 6, matinees of Dec 31 & Jan 7), presented at the Bluma Appel Theatre by Toronto … Continue reading →

Posted in Dance, theatre & musicals | 1 Comment

Questions for Derek Bate

Posted on December 19, 2017 by barczablog

Derek Bate has impacted different aspects of the musical life of Toronto, known both for music-theatre & opera. A one time Chorus Master of the Canadian Opera Company, Derek was in the pit for the original Toronto Production of Les … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Music and musicology, Opera | 1 Comment

TIFT Candide

Posted on December 3, 2017 by barczablog

While 2017 was a year to celebrate Canada’s 150th, we’re now coming up on the 100th birthday of Leonard Bernstein.  Whether you pronounce it Bern–steen or Bern-stine, the composer, pianist & conductor was born in 1918, which means that it … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews | 3 Comments

Haus Musik: lavender love letter

Posted on November 17, 2017 by barczablog

I am always inclined to appreciate artists who choose the ambitious path. Tonight’s Haus Musik in The Great Hall directed by Jennifer Nichols aimed to make some challenging connections. This multi-disciplinary work (live music, a DJ, video, painting, poetry in … Continue reading →

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Tremendous Triptyque

Posted on November 16, 2017 by barczablog

We’re in the twilight of Matthew Jocelyn’s time at Canadian Stage, a near- decade of unprecedented multi-disciplinarity.  We’ve had dance, we’ve had opera, and yes, theatre that combines disciplines.  We’ve had several offerings from Crystal Pite, from Robert Lepage, and … Continue reading →

Posted in Dance, theatre & musicals | 2 Comments

Putnam County: nerds rule

Posted on November 12, 2017 by barczablog

The 25th Annual Putnam County Spelling Bee (PCSB) is not just a musical but also an irresistible evocation of youth, concealed erections and performance anxiety.  A spelling contest is the microcosm, and in this world the nerds rule: not unlike … Continue reading →

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Jennifer Nichols talks about Haus Musik Crossing / Traversée

Posted on November 11, 2017 by barczablog

I invited Jennifer Nichols to talk about Haus Musik. If I understand the concept Haus Musik aims to do what every classical music company seeks: re-packaging and re-inventing their content in new ways in the quest for that elusive younger … Continue reading →

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