Category Archives: Dance, theatre & musicals

Apocryphonia: GinasterAmirov

Posted on October 2, 2023 by barczablog

When I interviewed Alex Cappellazzo a few weeks ago I asked: what does “Apocryphonia” mean? But tonight I found myself thinking about another question (and seeing the answer before me), namely what do we understand by “authenticity?” It came up … Continue reading →

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First look at Last Epistle at Tarragon

Posted on September 28, 2023 by barczablog

Last night I was present for the opening night of The Last Epistle of Tightrope Time, a Tarragon/NAC presentation of the National Arts Centre/ Neptune Theatre co-production. The Last Epistle is a one-man show written and performed by Walter Borden, … Continue reading →

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Canoe

Posted on September 19, 2023 by barczablog

For such a brief title, the opera Canoe invites me to go on at length. It’s not that it is a difficult work, for it was very accessible to the audience at Trinity St. Paul’s. But I want to properly … Continue reading →

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Interviewing Alexander Cappellazzo – Apocryphonia and Diapente Renaissance Vocal Quintet

Posted on September 17, 2023 by barczablog

I first encountered Alexander Cappellazzo in the title role of L’Amant anonyme by Joseph Bologne for Voicebox- Opera in Concert back in March of this year, when he sang “a passage in the first scene that contains an obscene number … Continue reading →

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The Master Plan, Toronto vs Google

Posted on September 14, 2023 by barczablog

Crow’s Theatre opened The Master Plan tonight, the world premiere of Michael Healey’s adaptation of Josh O’Kane’s book Sideways: the city Google couldn’t buy. Directed by Chris Abraham featuring a powerful ensemble cast this is the most fun I’ve had … Continue reading →

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Blithe Spirits

Posted on September 6, 2023 by barczablog

Hmm: another trip to Shaw, another ghost story. Last time it was Wharton’s The Shadow of a Doubt. “Shadow” is another word for spirit, right in the title. This past weekend Erika and I went to see Blithe Spirit at … Continue reading →

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Edith Wharton’s The Shadow of a Doubt at Shaw Festival

Posted on August 12, 2023 by barczablog

There’s a mystery underlying Edith Wharton’s play The Shadow of a Doubt. The text was just rediscovered by scholars in 2016, after sitting unproduced. There was almost a production in 1903 but it was cancelled. And now the Shaw Festival … Continue reading →

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TSM J’Nai Bridges

Posted on July 28, 2023 by barczablog

The drama of tonight’s Toronto Summer Music Recital at Koerner Hall was as much about the one who didn’t sing (Sondra Radvanovsky) as the one who did (J’Nai Bridges). I’m sympathetic to Sondra however much I may have wished to … Continue reading →

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TSM: Tradition

Posted on July 22, 2023 by barczablog

Some words have such broad definitions that we miss some of the possibilities. That’s what I experienced last night at the Toronto Summer Music Concert titled “Tradition”. We don’t always get the opportunity to reflect upon this process nor to … Continue reading →

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The Butterfly Project

Posted on July 13, 2023 by barczablog

Teiya Kasahara gave the first iteration of a self-exploratory monologue from Amplified Opera tonight at the Toronto Summer Music Festival in Walter Hall. It’s called The Butterfly Project because it’s to be an ongoing investigation, inviting us to explore the … Continue reading →

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