Tag Archives: Peter Hinton

Red Velvet history lesson

Posted on November 28, 2022 by barczablog

I feel the need to frame my testimony, reviewing Lolita Chakrabarti’s play Red Velvet at Crow’s Theatre, in the admission that Ira Aldridge, the first black man to portray Othello onstage in London, is almost completely unknown largely because of … Continue reading →

Posted in Books & Literature, Dance, theatre & musicals, Politics, Reviews | Tagged , , , , , , , , , , , , , , , , , | 3 Comments

The Silent Chorus Trope: Peter Hinton and Amélie Niermeyer

Posted on June 18, 2021 by barczablog

I’m trying to wrap my head around something. It first caught my eye in Peter Hinton’s Louis Riel in the 2017 Canadian Opera Company production. Hinton added a chorus of silent witnesses to the action, lending weight to the proceedings, … Continue reading →

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Workshop Ecology

Posted on October 27, 2018 by barczablog

I’ve been tossing and turning, struggling with several questions in my head. I regularly wake up in the night to fine-tune something that I’ve blogged, fixing a wrong spelling, adding wrinkles & nuances. It’s been a turbulent two weeks, as … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays | Tagged , , , , , , , , , , , , , , , , , | 3 Comments

Rufus Wainwright’s Hadrian

Posted on October 14, 2018 by barczablog

Tonight I saw the world premiere of Hadrian, an opera commissioned by the Canadian Opera Company with libretto by Daniel MacIvor, music composed by Rufus Wainwright, directed by Peter Hinton and conducted by Johannes Debus. There are some wonderful performances, … Continue reading →

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Hadrian’s Dramaturg: Questions for Cori Ellison

Posted on October 6, 2018 by barczablog

Cori Ellison is the Dramaturg for the Canadian Opera Company’s world premiere production of Hadrian¸composed by Rufus Wainwright and with libretto by Daniel MacIvor. Cori Ellison, a leading creative figure in the opera world, was recently appointed staff Dramaturg at … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Opera | Tagged , , , , , , , , , , , , , , , , , | 1 Comment

I Call myself Princess

Posted on September 12, 2018 by barczablog

I watched and listened to the second preview of I Call Myself Princess, Jani Lauzon’s impressive new play with opera, presented at Aki Studio in a collaboration between A Paper Canoe Projects, Cahoots Theatre and Native Earth Performing Arts. Genre … Continue reading →

Posted in Dance, theatre & musicals, Opera, Personal ruminations & essays, Politics, Reviews, Spirituality & Religion | Tagged , , , , , , , , , , , , , | 1 Comment

10 Questions for John Mills-Cockell

Posted on September 8, 2013 by barczablog

I only found out who John Mills-Cockell was after the fact of encountering his music without knowing who he was.  A tune by Syrinx –“Tillicum”— was my first encounter with sounds that have been near & dear to my heart, … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , , , , , , , , , , , , , | 6 Comments