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Tag Archives: Peter Hinton
The Master Plan, Toronto vs Google
Crow’s Theatre opened The Master Plan tonight, the world premiere of Michael Healey’s adaptation of Josh O’Kane’s book Sideways: the city Google couldn’t buy. Directed by Chris Abraham featuring a powerful ensemble cast this is the most fun I’ve had … Continue reading
Posted in Books & Literature, Dance, theatre & musicals
Tagged Amelia Scott, Ben Carlson, Bill Denning, Chris Abraham, CNN, Crow's Theatre, Dan Doctoroff, Google, Jennifer Keesmaat, Josh O'Kane, Joshua Quinlan, Michael Healey, Mike Shara, Peter Fernandes, Peter Hinton, Philippa Domville, Robert Lepage, saturday night live, Sideways, Tara Nicodemo, The Master Plan, Yanna McIntosh
2 Comments
Edith Wharton’s The Shadow of a Doubt at Shaw Festival
There’s a mystery underlying Edith Wharton’s play The Shadow of a Doubt. The text was just rediscovered by scholars in 2016, after sitting unproduced. There was almost a production in 1903 but it was cancelled. And now the Shaw Festival … Continue reading
Posted in Books & Literature, Cinema, video & DVDs, Dance, theatre & musicals, Reviews
Tagged Damien Atkins, Daniel Day-Lewis, Edith Wharton, Georges Feydeau, Gillian Gallow, Haui, Katherine Gauthier, Martin Scorsese, Melodrama, Michelle Pfeiffer, Oscar Wilde, Patrick Galligan, Peter Hinton, Tara Rosling, The Age of Innocence, Winona Ryder
4 Comments
The Silent Chorus Trope: Peter Hinton and Amélie Niermeyer
I’m trying to wrap my head around something. It first caught my eye in Peter Hinton’s Louis Riel in the 2017 Canadian Opera Company production. Hinton added a chorus of silent witnesses to the action, lending weight to the proceedings, … Continue reading
Workshop Ecology
I’ve been tossing and turning, struggling with several questions in my head. I regularly wake up in the night to fine-tune something that I’ve blogged, fixing a wrong spelling, adding wrinkles & nuances. It’s been a turbulent two weeks, as … Continue reading
Posted in Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays
Tagged Beothuk, Daniel MacIvor, Danny Elfman, Dean Burry, Hadrian, Jack Skellington, Marion Newman, Michael Hidetoshi Mori, Nightmare before Christmas, Opera Atelier, Opera on the Avalon, Peter Hinton, Rufus Wainwright, Shanawdithit, Tapestry Opera, Tim Burton, William Cormack, Yvette Nolan
3 Comments
Rufus Wainwright’s Hadrian
Tonight I saw the world premiere of Hadrian, an opera commissioned by the Canadian Opera Company with libretto by Daniel MacIvor, music composed by Rufus Wainwright, directed by Peter Hinton and conducted by Johannes Debus. There are some wonderful performances, … Continue reading
Hadrian’s Dramaturg: Questions for Cori Ellison
Cori Ellison is the Dramaturg for the Canadian Opera Company’s world premiere production of Hadrian¸composed by Rufus Wainwright and with libretto by Daniel MacIvor. Cori Ellison, a leading creative figure in the opera world, was recently appointed staff Dramaturg at … Continue reading
Posted in Dance, theatre & musicals, Interviews, Opera
Tagged Aida, Anthony Everitt, Canadian Opera Company, Cori Ellison, Cosi fan tutte, Daniel MacIvor, Don Carlo, dramaturg, Giuseppe Verdi, Hadrian, Hadrian and the Triumph of Rome, Karita Mattila, Marguerite Yourcenar, Memoirs of Hadrian, Mozart, Peter Hinton, Rufus Wainwright, Thomas Hampson
1 Comment
I Call myself Princess
I watched and listened to the second preview of I Call Myself Princess, Jani Lauzon’s impressive new play with opera, presented at Aki Studio in a collaboration between A Paper Canoe Projects, Cahoots Theatre and Native Earth Performing Arts. Genre … Continue reading
Posted in Dance, theatre & musicals, Opera, Personal ruminations & essays, Politics, Reviews, Spirituality & Religion
Tagged A Paper Canoe Projects, Aaron Wells, Cahoots Theatre, Charles Wakefield Cadman, Courtney Ch’ng Lancaster, Howard Davis, I Call Myself Princess, Jani Lauzon, Jeremy Dutcher, Marion Newman, Marjorie Chan, Native Earth Performing Arts, Peter Hinton, Richard Greenblatt
1 Comment
10 Questions for John Mills-Cockell
I only found out who John Mills-Cockell was after the fact of encountering his music without knowing who he was. A tune by Syrinx –“Tillicum”— was my first encounter with sounds that have been near & dear to my heart, … Continue reading
Posted in Interviews, Opera
Tagged Ann Southam, Brian Richmond, Buckminster Fuller, Dr Samuel Dolin, Factory Theatre, Felix Pappalardi, Gus Ciamaga, Guy Sprung, John Mills-Cockell, Ken Gass, Michael Hayden, Myron Shaffer, National Ballet of Canada, Peter Hinton, Richard Rose, Royal Winnipeg Ballet, Toronto Dance Theatre, Udo Kasemets
6 Comments
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