Category Archives: Opera

Pollyanna and the lessons of 2018

Posted on January 5, 2019 by barczablog

In past years my annual review was out in December, but this time it’s later than usual: because I’ve had a real holiday this year, more sleep and more silence than usual, dodging the viruses & germs pursuing other members … Continue reading →

Posted in Art, Architecture & Design, Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Politics, Reviews, University life | 3 Comments

Sing-Along Messiah 2018

Posted on December 23, 2018 by barczablog

You can change the location but the song remains the same. Tafelmusik Baroque Orchestra & Chamber Choir led by Herr Handel himself gave us their annual sing-along Messiah. The previous 37 have been at Massey Hall, but this time renovation … Continue reading →

Posted in Music and musicology, Opera, Personal ruminations & essays, Reviews, Spirituality & Religion | Tagged , , , , , , , , , , , | Leave a comment

Verbotenlieder subculture

Posted on December 20, 2018 by barczablog

This is not a review. I had the exquisite pleasure of going to Lula Lounge tonight for Verbotenlieder, Tongue in Cheek Productions’s latest extravaganza. The premise as I understood it from my recent interview with TiC co-founders Aaron Durand & … Continue reading →

Posted in Music and musicology, Opera, Personal ruminations & essays, Reviews | Tagged , , , , | 5 Comments

No Forbidden Questions as Aaron & Michael talk about Verbotenlieder

Posted on December 6, 2018 by barczablog

Aaron Durand + Michael Nyby = Tongue in Cheek Productions. No that’s not a formula but come to think of it there is a curious creative chemistry, a tendency to energize. I find it exciting to talk to them, and … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Music and musicology, Opera | Tagged , , , , , , , , , , | 2 Comments

Who do you love?

Posted on December 1, 2018 by barczablog

When the phrase popped into my head (spoken), I was thinking of Tchaikovsky. But immediately I heard Ronnie Hawkins’ song in my head. When I heard this near the start of The Last Waltz, and come to think of it, closer … Continue reading →

Posted in Music and musicology, Opera, Personal ruminations & essays, Popular music & culture, Press Releases and Announcements | Tagged , , , , | Leave a comment

Opera 5 –Open Chambers

Posted on December 1, 2018 by barczablog

Walter Pater famously said “all art constantly aspires to the condition of music”.  But did anyone bother to ask “what then does music aspire to”?  Does music seek to be something more, or should it perhaps be content to be … Continue reading →

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No stranger

Posted on November 29, 2018 by barczablog

Two photographs by Bruce Zinger from the “Opera Atelier Takes Canada to the World” campaign show Artists of Atelier Ballet and OA dancer Tyler Gledhill as their “Canadian Icon in Red”. Between the glimpses of Chicago or Versailles which is the … Continue reading →

Posted in Opera, Personal ruminations & essays, Press Releases and Announcements | Tagged , , , , , | 2 Comments

BOUND v. 2: power struggles

Posted on November 20, 2018 by barczablog

Against the Grain Theatre premiered version two of BOUND at The Great Hall on Queen St W or as Joel Ivany called it “an ongoing process”.  I didn’t see version 1, and perhaps this summer or next year there will … Continue reading →

Posted in Art, Architecture & Design, Opera, Personal ruminations & essays, Politics, Reviews | Tagged , , , , , , , , , , , | 3 Comments

Space Opera Zero

Posted on November 17, 2018 by barczablog

When I write about the shows I see I’m sometimes overwhelmed by envy, wishing it were me who’s up there singing or playing. We’re never more alive than when we’re dying onstage. And so I’ll often toss off these spontaneous … Continue reading →

Posted in Art, Architecture & Design, Dance, theatre & musicals, Opera, Popular music & culture, Reviews | Tagged , , , , , , | 2 Comments

Steffani: more devotion than drama

Posted on November 9, 2018 by barczablog

I am grateful for the gift of a new voice, a new composer introduced to me by Tafelmusik, Ivars Taurins, and Krisztina Szabo. It’s truly a magical thing. I was pondering the experience of classical music, how so much of … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , | 3 Comments