Tag Archives: Tchaikovsky

TSO All Tchaikovsky

Posted on November 29, 2019 by barczablog

I came to hear Tchaikovsky at the Toronto Symphony and was rewarded with one of the most brilliant performances of his violin concerto that I’ve ever heard. The program at Roy Thomson Hall featured three works by the popular Russian … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , | Leave a comment

Toronto Symphony play for Gimeno

Posted on October 10, 2019 by barczablog

Tonight’s Toronto Symphony concert reminded me of someone I haven’t thought of in ages, a piano teacher in my teen years. At every lesson we’d begin with small-talk, and then he’d say “now play for me!” It was a wonderfully … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , , | 2 Comments

Who do you love?

Posted on December 1, 2018 by barczablog

When the phrase popped into my head (spoken), I was thinking of Tchaikovsky. But immediately I heard Ronnie Hawkins’ song in my head. When I heard this near the start of The Last Waltz, and come to think of it, closer … Continue reading →

Posted in Music and musicology, Opera, Personal ruminations & essays, Popular music & culture, Press Releases and Announcements | Tagged , , , , | Leave a comment

Closing matinée for Onegin

Posted on November 4, 2018 by barczablog

This afternoon’s late matinée at 4:30 pm was the final performance for Eugene Onegin in the Canadian Opera Company’s fall season. Weekend audiences can be a bit of a challenge especially in the afternoon. Oh sure, we’re all relaxed in … Continue reading →

Posted in Opera, Personal ruminations & essays, Politics | Tagged , , , , , , , | 3 Comments

Pushing our buttons: Hadrian, Actéon, Pygmalion and erotic opera

Posted on October 12, 2018 by barczablog

Before there was pornography, there was always opera. Slavoj Zizek spoke of opera as redundant once we had psychiatrists, which is how he explains the decline in opera in the 20th century. But maybe there are other reasons opera wasn’t … Continue reading →

Posted in Opera, Personal ruminations & essays, Psychology and perception | Tagged , , , , , , , , , , , , | 1 Comment

Homecoming for Carsen’s Eugene Onegin

Posted on October 1, 2018 by barczablog

Better late than never, the Canadian Opera Company have premiered Robert Carsen’s Eugene Onegin, a production originally premiered at the Metropolitan Opera in 1997. It’s a triumph of Canadian talent on all sides, from the sets & costumes by Michael … Continue reading →

Posted in Opera, Personal ruminations & essays, Reviews | Tagged , , , , , , , , , , , , , , , , | Leave a comment

To re-purpose

Posted on August 12, 2018 by barczablog

The word is in my head after The Death of Stalin. Iannucci’s film takes music and uses it in new ways. Whether we’re talking about John Hughes, Stanley Kubrick or your organist at church, the re-use of an existing piece … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Popular music & culture | Tagged , , , , , , , , , , , , | Leave a comment

Plummer, Shakespeare & Oundjian

Posted on June 27, 2018 by barczablog

Tonight’s concert, the latest in the month-long Toronto Symphony celebration of Peter Oundjian, was like a cross between a pops concert and a play reading, titled “Christopher Plummer’s Symphonic Shakespeare”. It was like “Shakespeare’s Greatest Hits”, a series of textual … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , , , , | Leave a comment