Category Archives: Opera

SOLT pedagogy

Posted on July 27, 2024 by barczablog

I attended the La Boheme to open Summer Opera Lyric Theatre’s summer season tonight at the Alumnae Theatre. Guillermo Silva-Marin called it a festival in his pre-show introductory talk. As you can see in the graphic, between now and next … Continue reading →

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The lessons of James Morris’s Wotan for this Canadian

Posted on July 1, 2024 by barczablog

It’s Canada Day. I live in Toronto and am a subscriber to the Canadian Opera Company. I was remembering examples I’ve seen south of the border at the Metropolitan Opera. Yes they import talent, bringing in Italians to sing Verdi … Continue reading →

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Opera By Request premiere The Seagull

Posted on June 8, 2024 by barczablog

Friday night June 7th I witnessed the Canadian premiere of Thomas Pasatieri’s 1974 opera setting Kenward Elmslie’s libretto adapting Anton Chekhov’s 1896 play The Seagull, presented in concert by Opera by Request at the College St United Church. It can … Continue reading →

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Tafelmusik and Ivars Taurins celebrate Handel

Posted on June 1, 2024 by barczablog

Tafelmusik turned their choral specialist loose for their season-concluding Handel celebration concert. If you have any way of getting to this concert do so, a love-fest centred on Handel and his alter-ego Ivars Taurins. You may know Ivars Taurins for … Continue reading →

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Canadian Premiere of Tom Pasatieri’s The Seagull, Friday June 7th: An Interview with Bill Shookhoff

Posted on May 23, 2024 by barczablog

Tom Pasatieri’s opera The Seagull will get it’s Canadian Premiere on June 7th with Opera By Request. I interviewed Bill Shookhoff to find out about it. ~~~~~~~ Barczablog: Describe the works of Pasatieri: what is his style like?  Bill Shookhoff: … Continue reading →

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After last performance of Don Pasquale, looking back and ahead plus two anonymous voices

Posted on May 19, 2024 by barczablog

This afternoon we watched the Canadian Opera Company’s closing performance of the Renaud Doucet–André Barbe Don Pasquale at the Four Seasons Centre, bringing their spring season to a boisterous close. The unexpected adjective I’d apply to the colourful production is … Continue reading →

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COC Medea explores truth

Posted on May 6, 2024 by barczablog

Yesterday I attended the Canadian Opera Company’s Sunday matinee of Luigi Cherubini’s Medea. The main character may tell a lot of lies but that didn’t stop the audience from cheering her on in one of the darkest operas imaginable, a … Continue reading →

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Finding out about Maghan McPhee, soprano

Posted on March 13, 2024 by barczablog

Sometimes interviews are just a series of obvious questions designed to publicize an artist and their work. I’m happy to play that game. But there are times when I’ve been fascinated by what I’ve seen from an artist, my curiosity … Continue reading →

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John Holland’s unexpected polemic in The Lost Tradition of Dvořák’s Operas

Posted on February 29, 2024 by barczablog

When I started reading John Holland’s new book, I didn’t expect it to be more than a study of a composer and his operas. That modest goal would already be significant, considering the cognitive dissonance I feel whenever the plural … Continue reading →

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Questions for Tammy Wilson

Posted on February 21, 2024 by barczablog

Tamara Wilson is one of the best singers in the world. Yes we import Europeans to sing opera but some Americans have no equal. We’re lucky to have heard that voice in Toronto, usually the most impressive sound in that … Continue reading →

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