Tag Archives: Linda Hutcheon

Cliff Cardinal’s Shakespearean musings

Posted on October 16, 2021 by barczablog

I’ve just been to “a Radical Retelling” of As You Like it by Cree actor and playwright Cliff Cardinal at Crow’s Theatre.   A story about someone banished into the forest after his property is stolen from him by his brother … Continue reading →

Posted in Books & Literature, Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , | Leave a comment

Wolastoqiyik Lintuwakonawa (Our Maliseets Songs) from Jeremy Dutcher

Posted on August 17, 2018 by barczablog

I’ve been listening to Jeremy Dutcher’s debut CD, Wolastoqiyik Lintuwakonawa. When I googled to try to find out what that means, the phrase “Our Maliseets Songs” came up. Wikipedia tells me that “The Wolastoqiyik, or Maliseet are an Algonquian-speaking First … Continue reading →

Posted in Music and musicology, Opera, Spirituality & Religion | Tagged , , , | 3 Comments

Opera as blood sport: the Hutcheons contra Regietheater

Posted on March 5, 2016 by barczablog

I raced at top speed, not from jungle to city but from one end of the U of T campus to the other after work, afraid I’d be late for the (lecture about) opera, somewhat like the hero of Werner … Continue reading →

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Cakes and Puppets/Buchty a Loutky: La Calisto

Posted on February 11, 2016 by barczablog

The Centre for Drama, Theatre & Performance Studies at University of Toronto are in the midst of a residency by Cakes and Puppets, a Czech puppetry company.  Who are they and what are they presenting in this brief visit? Cakes … Continue reading →

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A Poet’s Love

Posted on May 28, 2014 by barczablog

Writing in Opera’s Second Death, Slavoj Zizek claims that opera served a purpose at one point, before Freud & the invention of psychotherapy.  Watching “A Poet‘s Love”, tonight’s concert from Talisker Players & baritone Alexander Dobson , I had parallel … Continue reading →

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Figaro’s Honeymoon

Posted on June 3, 2013 by barczablog

It’s summertime, a season when young men’s minds turn to mush, in the presence of humidity and hotness of various kinds.  Of course men have no monopoly on this, but I was just mis-quoting Tennyson.  I’m thinking of this as … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , , , | 1 Comment

Farewell to the Queen

Posted on April 30, 2013 by barczablog

This afternoon we said goodbye to Queen of Puddings Music Theatre in the same manner we’ve known them, namely through yet another premiere of a new work. QPMT’s finale under the auspices of the Canadian Opera Company’s free noon-hour series … Continue reading →

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Wagner and Adaptation: Linda’s Legacy

Posted on February 2, 2013 by barczablog

I use surnames in this blog.  Everyone calls him “Topher”, but when I wrote about him it was “Mokrzewski”.  Some aspects of the naming convention are absurdly obvious.  We call RW and RS “Wagner” and “Strauss not “Richard” and “Richard”, … Continue reading →

Posted in Personal ruminations & essays, University life | Tagged , , , , , , , , , , , , , | 1 Comment

Muse of Fire

Posted on April 19, 2012 by barczablog

When the Prologue to Henry V confronts us with the limitations of the medium, inviting the audience to employ their “imaginary forces,” because it is our “thoughts that now must deck [their] kings” we are encountering yet another part of … Continue reading →

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Linda and the jokes we don’t get

Posted on February 6, 2011 by barczablog

I am going to talk about one of Linda Hutcheon’s ideas. Ever notice that some jokes make you laugh, and some don’t?  Of course you do.  You probably would say it’s because some jokes are good and some are bad.  … Continue reading →

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