Tag Archives: Adam Paolozza

Italian Mime Preview

Posted on April 22, 2022 by barczablog

I was at the preview of Italian Mime Suicide from Bad New Days, co-directed by Kari Pederson and Adam Paolozza. It’s short but intense, part lecture, part performance, sometimes serious sometimes funny. No question about it, I’m out of practice, … Continue reading →

Posted in Animals, domestic & wild, Dance, theatre & musicals, Music and musicology, Popular music & culture, Reviews | Tagged , , , , , , , , , , , , , , , , , , , | Leave a comment

Adam Paolozza explains Italian Mime Suicide

Posted on April 19, 2022 by barczablog

Adam Paolozza and theatre ensemble Bad New Days are coming back to Toronto with the provocative genre-bending piece ITALIAN MIME SUICIDE at The Theatre Centre (Franco Boni Theatre) beginning April 21 to May 1 (opening night April 23). Inspired by … Continue reading →

Posted in Dance, theatre & musicals, Interviews | Tagged , , , , , , , , , , , , , | Leave a comment

Melancholiac at Music Gallery

Posted on December 8, 2019 by barczablog

The best works of theatre or music function as advocacy for the creator. A good production of a play, a great performance of a song, should persuade you of the importance of the work & its author. Melancholiac: The Music … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Reviews | Tagged , , , , , | 1 Comment

Questions about Melancholiac: the Music of Scott Walker

Posted on November 28, 2019 by barczablog

Long ago I stumbled upon Scott Walker, via a cassette with the hand-written inscription The Godlike Genius of Scott Walker. I remember wondering: is this for real? What may have been at least part ironic self-mockery was upon closer inspection … Continue reading →

Posted in Dance, theatre & musicals, Interviews, Music and musicology | Tagged , , , , , , | 2 Comments

Paolozzapedia

Posted on February 21, 2019 by barczablog

Commedia dell’Arte is a living theatre language. In Paolozzapedia, Adam Paolozza’s new meditation upon his heritage & influences, a Bad New Days Production with the support of Theatre Passe Muraille, that opened tonight at TPM, we get one of the … Continue reading →

Posted in Dance, theatre & musicals, Reviews | Tagged , , , , , , , , , , , | Leave a comment

Late to the party: The Double’s Trio

Posted on November 4, 2013 by barczablog

Getting to Tarragon Theatre’s Extraspace 20 minutes before the start of The Double, would have been early for most shows in Toronto.  But all the good seats were gone, and so we were forced to sit near the back.  I’m … Continue reading →

Posted in Dance, theatre & musicals, Reviews | Tagged , , , , | 5 Comments

YouTopia

Posted on September 13, 2013 by barczablog

Tonight at a performance of Bruce Barton’s YouTopia I was reminded of the difference between the mandate of University of Toronto’s “Drama Centre” (recently renamed “Centre for Drama, Theatre & Performance Studies”) and various theatre schools such as Ryerson or … Continue reading →

Posted in Dance, theatre & musicals, Reviews, University life | Tagged , , , , , , , , , , , , , | 2 Comments