Tag Archives: Canadian Opera Company

TSO Stage Mozart Requiem

Posted on January 24, 2016 by barczablog

We were all invested with a sense of community. As I sat making notes afterwards, Joseph Johnson’s solo cello kept playing away, as though he didn’t want to go home. I think it’s fair to say that so far Jeff … Continue reading →

Posted in Music and musicology, Opera, Reviews | Tagged , , , , | 1 Comment

La bonne chanson @ RBA

Posted on January 21, 2016 by barczablog

Today’s noon-hour concert at the Richard Bradshaw Amphitheatre was the first collaboration between the Canadian Opera Company’s Ensemble Studio and the COC Orchestra Academy.  As I so often do I’ll begin with a preamble, one that corresponds to the gap … Continue reading →

Posted in Music and musicology, Opera, Reviews, University life | Tagged , , | Leave a comment

Questions for Johannes Debus: busy baton

Posted on January 21, 2016 by barczablog

The Canadian Opera Company’s winter season begins soon, featuring two long operas led by the same maestro, namely Johannes Debus. Siegfried, the penultimate of the Wagner operas in the Ring Cycle premieres January 23rd, while Mozart’s Marriage of Figaro follows … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , , | 2 Comments

Tragic Canadians in Traviata

Posted on October 17, 2015 by barczablog

I had a second look at Arin Arbus’ production of Verdi’s La traviata for the Canadian Opera Company with a few cast changes. At the centre of this world is Joyce El-Khoury in the title role, opposite Andrew Haji as … Continue reading →

Posted in Opera, Reviews | Tagged , , , | 2 Comments

10 questions for Andrew Haji

Posted on October 13, 2015 by barczablog

You may know tenor Andrew Haji as a member of the Canadian Opera Company Ensemble Studio, for his appearances with the COC in the Ensemble Studio performance of The Barber of Seville (as Count Almaviva in May 2015), and Così … Continue reading →

Posted in Interviews, Opera | Tagged , , , | 2 Comments

10 Questions for Krisztina Szabó

Posted on April 13, 2015 by barczablog

My stereotype of Krisztina Szabó is inaccurate of course. My questions may have made her laugh, even though she’s too polite to send me packing. In cobbling together a few questions –concerning a pair of 20th century compositions—I was far … Continue reading →

Posted in Interviews, Music and musicology, Opera | Tagged , , , , , , , | 1 Comment

10 Questions for James Westman

Posted on March 2, 2015 by barczablog

I’ve been hearing the name of Baritone James Westman quite a lot, of late. He’s been in new operas such as Silent Night just this past November in Calgary, or Tovey’s The Inventor. He was soloist in Messiah with the New … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , | 3 Comments

10 Questions for Christine Goerke

Posted on January 6, 2015 by barczablog

It’s a coup when a great international artist comes to your city. But when the artist in question is one of the most talked-about singers of the year? AND she’s choosing to make her most important role-debut here in this … Continue reading →

Posted in Interviews, Opera | Tagged , , , | 2 Comments

10 Questions for Kelly Kaduce

Posted on September 20, 2014 by barczablog

I had the good luck to see Rusalka in Montreal in November 2011, starring Kelly Kaduce. In my review I said First and foremost, the production leans happily on soprano Kelly Kaduce, whose voice is always pleasant & in tune, … Continue reading →

Posted in Interviews, Opera | Tagged , , , , | 5 Comments

Questions of identity

Posted on May 11, 2014 by barczablog

Do you know who you are? Today’s performance of the Canadian Opera company production of Roberto Devereux  at the Four Seasons Centre seemed like an investigation of identity. For one thing, there’s the opera’s plot, which concerns Elizabeth I and … Continue reading →

Posted in Opera, Reviews | Tagged , , , , , | Leave a comment