Tag Archives: Brahm Goldhamer

Holly Chaplin talks about singing, directing and fund-raising with Benevolence Opera Project at the Redwood Theatre

Posted on October 24, 2026 by barczablog

Fast Times in Seville is a new version of Carmen, coming Friday November 13th. Cursed in Mantua adapts Rigoletto the next night, Saturday November 14th. Both shows are fundraisers in support of Benevolence Opera Project (aka “BOP”), a new organization, … Continue reading →

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Interviewing Don Giovanni’s women

Posted on May 13, 2026 by barczablog

On May 22nd the new Benevolence Opera Project, who present opera both as entertainment and as a platform for social engagement collaborate with Redwood Theatre to present Don Giovanni in a benefit supporting Redwood Women’s Shelter. I asked Holly Chaplin … Continue reading →

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Over 800 meals from Boheme On Tap for Daily Bread Food Bank

Posted on September 20, 2025 by barczablog

I have a new perspective on Puccini’s opera since attending La Boheme On Tap last night at the Redwood Theatre, although watching Moonstruck last week while interviewing a couple of the participants highlighted the contrast. Yes Mimi lives in poverty, … Continue reading →

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Reflections from Stephen Bell, former COC chorister, Founder of Coffeeshop Film & Creative

Posted on June 16, 2025 by barczablog

Stephen Bell is an award winning filmmaker and visual designer based in Toronto. Videographer by day and opera singer by night, Stephen is the Founder of Coffeeshop Film & Creative. And on May 25th Stephen posted on Facebook that after … Continue reading →

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Powerhouse Tristan und Isolde

Posted on October 30, 2023 by barczablog

Last night Powerhouse Opera presented an abridged version of Wagner’s Tristan und Isolde at Jeanne Lamon Hall. Powerhouse Opera is a new company begun by soprano Susan Tsagkaris in March 2022, aiming to showcase dramatic / large sized voices with … Continue reading →

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Questions for Brahm Goldhamer: playing Schubert

Posted on January 2, 2016 by barczablog

I know Brahm Goldhamer as a collaborative pianist of exceptional sensitivity. Of all the Toronto pianists I’ve heard in the concert-opera mode—where piano must stand in for all the instruments of the orchestra—his performance in Debussy’s Pelléas et Mélisande in … Continue reading →

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Pelléas et Mélisande by Request

Posted on February 5, 2011 by barczablog

Last night Opera by Request presented Pelléas et Mélisande in concert.  When an opera is given with singers in formal attire accompanied by a pianist, we usually understand that as a compromise.  We lose the sounds of the orchestra, the … Continue reading →

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