Tag Archives: Holly Chaplin

Another look at Roméo et Juliette as a departure point for reflections on criticism & dramaturgy

Posted on October 19, 2025 by barczablog

This has been a bit of a bewildering week, astonishing contrasts. I repeat my self-fulfilling mantra “I am a lucky guy,” grateful for what I’ve experienced. Wednesday was Opera Atelier’s Magic Flute, Thursday Tapestry Briefs Under Where, Friday was the … Continue reading →

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Over 800 meals from Boheme On Tap for Daily Bread Food Bank

Posted on September 20, 2025 by barczablog

I have a new perspective on Puccini’s opera since attending La Boheme On Tap last night at the Redwood Theatre, although watching Moonstruck last week while interviewing a couple of the participants highlighted the contrast. Yes Mimi lives in poverty, … Continue reading →

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Holly Chaplin and Ryan Hofman talk about their upcoming La Boheme On Tap

Posted on September 12, 2025 by barczablog

La Boheme is being presented at the Redwood Theatre on Friday September19th 8:00 p.m., a co-production with The Redwood Theatre including a silent auction in support of Daily Bread Food Bank. I talked to Holly Chaplin who sings the starring … Continue reading →

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Scarborough Philharmonic Orchestra’s Joy

Posted on March 23, 2025 by barczablog

Tonight Erika joined me to hear the Scarborough Philharmonic Orchestra in a concert featuring joyful works by Beethoven and Bruckner. No wonder they titled it “Joy!” Stephen Sondheim, Andrew Lloyd Webber, William Shatner, and Dave Keon were all born on … Continue reading →

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Interviewing Ronald Royer, composer and artistic director of Scarborough Philharmonic Orchestra

Posted on March 6, 2025 by barczablog

My interest in Ronald Royer is complex. Ron was a teacher at my school, although I was only dimly aware of that because Ron arrived at the school long after I left. I encountered Ron as Artistic Director of the … Continue reading →

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Interviewing the busy soprano, Holly Chaplin

Posted on February 16, 2025 by barczablog

This blog is often a vicarious exercise, a way for a wannabe composer singer pianist to get closer to my heroes, a bit of wish-fulfillment. In the process the reader gets my starstruck expressions of awe, while maybe we learn … Continue reading →

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L’Amant anonyme

Posted on March 20, 2023 by barczablog

Voicebox Opera in Concert presented the last performance of their season series dedicated to Mozart and the operas of his time, L’Amant anonyme by Joseph Bologne, Chevalier de Saint-Georges aka Joseph Boulogne, sometimes called “The Black Mozart”. His life story … Continue reading →

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Opera York’s Magic Flute

Posted on March 6, 2023 by barczablog

It was worth the drive to Richmond Hill yesterday to see Opera York’s production of The Magic Flute, their first in-person return to the stage since the pandemic. While Friday night’s snow-storm likely reduced attendance, Sunday’s matinee was sold out. … Continue reading →

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Pre-Democracy with Lucio Silla

Posted on November 21, 2022 by barczablog

I had an epiphany watching today’s presentation of Lucio Silla from Opera in Concert in the St Lawrence Centre. In my review of the opening night of Hannah Moscovitch’s Post-Democracy (that opened at the Tarragon Theatre last Thursday) I included … Continue reading →

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Toronto Choral Society – Mozart Requiem

Posted on May 26, 2022 by barczablog

I had my first experience with Toronto Choral Society last night at Eastminster United Church on Danforth. Holly Chaplin’s page on Facebook (where my review of the weekend opera was shared) told me that she and Joshua Clemenger (also in … Continue reading →

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