Tag Archives: John Holland

Year(s) of Czech Music at the piano

Posted on December 17, 2024 by barczablog

2024 is the year of Czech Music, a celebration that’s held every decade in the year ending in 4. Speaking of ending, this year’s instalment is swiftly coming to a close, a year that saw the Canadian Opera Company present … Continue reading →

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CICM and OBR present Dvořák’s Jacobin

Posted on September 15, 2024 by barczablog

The Canadian Institute for Czech Music (CICM) and Opera by Request (OBR) collaborated to present Antonín Dvořák’s opera Jacobin in a concert performance with orchestra at Jeanne Lamon Hall Friday September 13th. Produced by Professor John Holland of CICM, conducted … Continue reading →

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John Holland’s unexpected polemic in The Lost Tradition of Dvořák’s Operas

Posted on February 29, 2024 by barczablog

When I started reading John Holland’s new book, I didn’t expect it to be more than a study of a composer and his operas. That modest goal would already be significant, considering the cognitive dissonance I feel whenever the plural … Continue reading →

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The Year of Czech Music: Questions for John Holland

Posted on January 23, 2024 by barczablog

The Year of Czech Music is an event that since 1924 has commemorated the major figures of Czech music. I understand that it began in 1924 for Bedřich Smetana’s 100th anniversary, and has been repeated on every year that ends in a “4” , … Continue reading →

Posted in Books & Literature, Interviews, Music and musicology, Opera | Tagged , , , , , , , , , , , | 1 Comment

Rheingold by Request

Posted on May 14, 2011 by barczablog

A concert performance of Wagner’s Das Rheingold can be many things, but above all, it’s a colossal job.  For almost three hours, a group of singers breathes life into Gods, giants, dwarves, and Rhine-maidens, while a pianist impersonates a huge … Continue reading →

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