Tag Archives: Lohengrin

Holst’s Neptune and Wagner’s Lohengrin Prelude

Posted on November 5, 2022 by barczablog

I’ve just noticed something concerning Gustav Holst’s Planets suite. You’ve probably heard that Holst did not mean planets in the sense of astronomy but rather to be more of a meditation on the astrological significance of each planet. His seven … Continue reading →

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Gimeno prepares the taste-buds for Bronfman’s Beethoven

Posted on October 13, 2022 by barczablog

It was a unique Toronto Symphony concert. Conductor Gustavo Gimeno said he had never conducted six items on a program before. It was pretty radical for me too, although I was fortunate. I noticed the unorthodox program and wrote about … Continue reading →

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Provocative TSO program: a glimpse of Gimeno

Posted on October 5, 2022 by barczablog

It’s fun getting to know the new music director of the Toronto Symphony, Gustavo Gimeno. I’m excited both by the programming and the performances. Assembling concerts involves a curating process, picking & choosing pieces for performance. Forgive me for repeating … Continue reading →

Posted in Books & Literature, Cinema, video & DVDs, Music and musicology, Opera | Tagged , , , , , , , , , , , , , , , , , , | 2 Comments

Baudelaire Bicentennial

Posted on April 10, 2021 by barczablog

I must be brief. How does one speak of the bicentennial of a poet such as Charles Baudelaire, born two hundred years ago on April 9th in 1821? how to find the right words,…? Some know him for his poetry, … Continue reading →

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Wagner & Sibelius insights with Margarete von Vaight

Posted on September 13, 2018 by barczablog

There’s so much to know about some repertoire, a little flash of insight about this song or that role can get lost in the massive store-house of knowledge. It used to be said among my circle of friends at university … Continue reading →

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Good night, 4-D Regie

Posted on December 13, 2012 by barczablog

This is an extension of the conversation earlier this week.  Yes I get that the title is unintelligible, but even if I presented it fully –Good night, Four dimensional Regietheater—it’s pretty cryptic without some explanations. Let me simply start with … Continue reading →

Posted in Essays | Tagged , , , , , , , , | 8 Comments