Tag Archives: Wolfgang Amadeus Mozart

SOLT pedagogy

Posted on July 27, 2024 by barczablog

I attended the La Boheme to open Summer Opera Lyric Theatre’s summer season tonight at the Alumnae Theatre. Guillermo Silva-Marin called it a festival in his pre-show introductory talk. As you can see in the graphic, between now and next … Continue reading →

Posted in Opera, University life | Tagged George Frideric Handel, Giacomo Puccini, Guillermo Silva-Marin, Idomeneo, La boheme, Mike Fan | 范祖铭 (they) aka Tanya Smania (she), Ombra mai fu, SOLT, Summer Opera Lyric Theatre, Wolfgang Amadeus Mozart, Xerxes | 2 Comments

Scary Don Giovanni at the COC

Posted on February 5, 2024 by barczablog

Well it’s about time! I’ve been watching productions of Mozart’s Don Giovanni all my life that end with some sort of ludicrous & unbelievable encounter between the anti-hero and his fake stone guest, who comes to drag him to hell. … Continue reading →

Posted in Opera, Reviews | Tagged Ben Bliss, Canadian Opera Company, Don Giovanni, English National Opera, Es Devlin, Four Seasons Centre, Gordon Bintner, Joel Allison, Johannes Debus, Kasper Holten, Lorenzo Da Ponte, Luke Halls, Mane Galovan, Paolo Bordogna, Perryn Leech, Simone McIntosh, Wolfgang Amadeus Mozart | Leave a comment

William Shookhoff reflects on a recent operatic controversy

Posted on December 30, 2023 by barczablog

This is a guest blog from William (aka Bill) Shookhoff, the pianist and artistic director of Opera by Request. Thank you Bill! ~~~~~~~ Recently, the distinguished Metropolitan Opera of New York City announced that this holiday season would be marked … Continue reading →

Posted in guest blog, Opera | Tagged Die zauberflote, Julie Taymor, Magic Flute, Opera by Request, William Shookhoff, Wolfgang Amadeus Mozart | 5 Comments

An all-female Magic Flute from OperOttawa

Posted on October 15, 2023 by barczablog

I heard that OperOttawa are presenting Mozart’s The Magic Flute, an opera I’ve heard called misogynistic, in November with a cast that’s 100% female! I had to ask their their artistic director Norman E Brown about it. Barczablog: Do the … Continue reading →

Posted in Interviews, Opera | Tagged Anna Hejnar, Beverly McArthur, Carole Portelance, Erinne-Colleen Laurin, First Baptist Church, Kathleen Radke, Norman E Brown, OperOttawa, The Magic Flute, Wolfgang Amadeus Mozart | Leave a comment

Days of Happiness / Les Jours heureux #tiff23

Posted on September 12, 2023 by barczablog

It’s a pleasure and privilege to watch a film at tiff followed by a talkback, where directors and performers respond to our questions. A woman in front of me asked writer & director Chloé Robichaud the question I would have … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Reviews | Tagged Ariel Méthot, Arnold Schönberg, Barbara Hannigan, Chloé Robichaud, Days of Happiness, Gemma New, Gustav Mahler, Keri-Lynn WIlson, Les Jours heureux, Norm Wilner, Nour Belkhiria, Pelleas und Melisande, Sophie Desmarais, Speranza Scapucci, Sylvain Marcel, Tár, TIFF, Wolfgang Amadeus Mozart | Leave a comment

Toronto Summer Music Metamorphosis

Posted on July 7, 2023 by barczablog

Tonight was the opening concert of Toronto Summer Music, a festival running until July 29th in several performance spaces around Toronto. For a festival such as this one with the dual objectives of showcasing performance and training artists in its … Continue reading →

Posted in Music and musicology | Tagged Darius Milhaud, Illia Ovcharenko, Jon Kimura Parker, Jonathan Crow, Levko Revutsky, Ludwig van Beethoven, Sergei Rachmaninoff, Toronto Summer Music Academy, Toronto Summer Music Festival, Wolfgang Amadeus Mozart | 1 Comment

Gimeno and TSO: old music made new

Posted on June 9, 2023 by barczablog

I will quietly keep calling Gustavo Gimeno the Toronto Symphony’s “new” music director in my head, but maybe not for the reason you think. Yes he started in 2021, delayed over a year by the pandemic’s impacts on performing arts. … Continue reading →

Posted in Music and musicology, Reviews | Tagged Daníel Bjarnason, Echo, Eliot Britton, Gustavo Gimeno, Hector Berlioz, Narcissus, Roy Thomson Hall, Symphonie Fantastique, Toronto Symphony Orchestra, Víkingur Ólafsson, Wolfgang Amadeus Mozart | Leave a comment

Surprising Chevalier

Posted on April 25, 2023 by barczablog

How could I resist seeing Chevalier, the new film about Joseph Bologne? He’s been called the “black Mozart”. He was given the title Chevalier de St Georges by Marie Antoinette, composer of operas, symphonies, a virtuoso violinist and master swordsman. … Continue reading →

Posted in Cinema, video & DVDs, Opera, Reviews | Tagged Chevalier, Chevalier de Saint-Georges, Christoph Willibald Gluck, Kelvin Harrison Jr, Stefani Robinson, Stephen Williams, Wolfgang Amadeus Mozart | Leave a comment

Opera York’s Magic Flute

Posted on March 6, 2023 by barczablog

It was worth the drive to Richmond Hill yesterday to see Opera York’s production of The Magic Flute, their first in-person return to the stage since the pandemic. While Friday night’s snow-storm likely reduced attendance, Sunday’s matinee was sold out. … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged Holly Chaplin, Opera York, OperOttawa, Richmond Hill Centre for the Performing Arts, Ryan Downey, The Magic Flute, Wolfgang Amadeus Mozart | 1 Comment

Guth Ideas to save Figaro

Posted on January 29, 2023 by barczablog

The Canadian Opera Company have revived Claus Guth‘s production of Mozart’s The Marriage of Figaro that they presented to us in 2016, this time with a slightly different cast and conductor. The three and a half hours fly by on … Continue reading →

Posted in Opera, Reviews | Tagged Andrea Carroll, Canadian Opera Company, Claus Guth, Doug MacNaughton, Emily Fons, Gordon Bintner, Harry Bicket, Lauren Fagan, Luca Pisaroni, Marcelo Buscaino, Mireille Asselin, Robert Pomakov, Sasha Djihanian, The Marriage of Figaro, Uli Kirsch, Wolfgang Amadeus Mozart | Leave a comment