Monthly Archives: October 2023

Powerhouse Tristan und Isolde

Posted on October 30, 2023 by barczablog

Last night Powerhouse Opera presented an abridged version of Wagner’s Tristan und Isolde at Jeanne Lamon Hall. Powerhouse Opera is a new company begun by soprano Susan Tsagkaris in March 2022, aiming to showcase dramatic / large sized voices with … Continue reading →

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Varieties of inclusivity in COC Boheme

Posted on October 29, 2023 by barczablog

Erika and I watched the Canadian Opera Company’s la bohème today at the Four Seasons Centre using our subscription tickets, a revival of John Caird’s production that we saw in 2013 and again in 2019. As it was the closing … Continue reading →

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Toronto Symphony’s virtuoso Beethoven

Posted on October 26, 2023 by barczablog

Last night’s Toronto Symphony concert titled “Beethoven’s Seventh” was another chance to watch the ongoing romance between the TSO and their new music director Gustavo Gimeno. Whether it’s a love of Beethoven or delight in the ongoing lovefest between orchestra … Continue reading →

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Questions for Andrew Ager about New Opera Lyra, The Gothic Trilogy and The Mummy

Posted on October 23, 2023 by barczablog

New Opera Lyra (NOL) completes The Gothic Trilogy with the world premiere of Andrew Ager’s The Mummy on October 27th. This follows the premieres of Frankenstein in 2019 and Dracula last season. Andrew is co-artistic director of NOL, where his … Continue reading →

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TOT Pirates

Posted on October 20, 2023 by barczablog

When you’re watching your dog prowling in the back-yard and the phrase “with cat-like tread” pops into your head, you know Gilbert and Sullivan must be on your mind. Of course I knew I was going to attend the Toronto … Continue reading →

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An all-female Magic Flute from OperOttawa

Posted on October 15, 2023 by barczablog

I heard that OperOttawa are presenting Mozart’s The Magic Flute, an opera I’ve heard called misogynistic, in November with a cast that’s 100% female! I had to ask their their artistic director Norman E Brown about it. Barczablog: Do the … Continue reading →

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Topdog/Underdog and questions of greatness

Posted on October 7, 2023 by barczablog

Last night I went to see Topdog/Underdog by Suzan-Lori Parks, promoted as “The Greatest American Play of the past 25 years” according to the NY Times and identified as “a darkly comic fable” in one of the ads. Directed by … Continue reading →

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Apocryphonia: GinasterAmirov

Posted on October 2, 2023 by barczablog

When I interviewed Alex Cappellazzo a few weeks ago I asked: what does “Apocryphonia” mean? But tonight I found myself thinking about another question (and seeing the answer before me), namely what do we understand by “authenticity?” It came up … Continue reading →

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