Tag Archives: COC

Opera York: True to Verdi

It’s exciting when you get a chance to test an offbeat theory, and even more exciting when you prove it. Giuseppe Verdi’s Il trovatore was at one time –perhaps at the end of the 19th century—the most popular opera in … Continue reading

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Canadian Pride

It’s the day before the Academy Awards, which means Canadians can indulge in our favourite sport.  No I don’t mean hockey, which is more of an obsession than something you could dismiss as mere fun.  It’s too much of a … Continue reading

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Inclemenza

We’re expecting snow here in Toronto, but it’s already somewhat inclement, if we think chilly or unmerciful. I am expanding on the experience of La Clemenza di Tito Sunday in Toronto.  I was enraptured, as were the audience: until the … Continue reading

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Sellars market

At the intermissions of Tristan und Isolde Friday (dress rehearsal) there was madness in the air, a place rife with miscommunication.  Wagner himself said that good performances would make people mad (or crazy), so perhaps that was the problem.  A … Continue reading

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Creative ecology

As I examined the choices for music in a play, I thought of a great scene in a film.  Now I am not talking about the music in that film, oh no.  I am talking about that classic scene in … Continue reading

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From Troyens to Tristan

December seemed to be a month obsessively occupied by Hector Berlioz, particularly Les Troyens in versions onstage at the Met, the High Definition transmission, DVDs, plus the score at home.  It’s January, and Berlioz is still echoing through the corridors … Continue reading

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The prettiest love duet

During the COC Ensemble Studio competition, I discovered that someone else –John Gilks of operaramblings and I share similar views about a particular piece of music. Saturday the Met High Definition broadcast will be Mozart’s La Clemenza di Tito, and … Continue reading

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