Author Archives: barczablog

Opera Salon Series: Romanticism & Bel Canto

Posted on February 1, 2026 by barczablog

Today I attended a Voicebox: Opera in Concert Opera Salon, highlighting Romanticism & Bel Canto. I want to see any concert or presentation that offers us a new way to offer opera and to find an audience. We’ve seen arias … Continue reading →

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Tafelmusik Brandenburgs

Posted on January 30, 2026 by barczablog

I saw & heard an astonishing concert last night at Jeanne Lamon Hall from Tafelmusik playing a program of well-known music by Johann Sebastian Bach. I heard four of the six Brandenburg concertos and a version of his majestic E-flat … Continue reading →

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Musing on Mandle Cheung’s orchestral adventures: an interview

Posted on January 30, 2026 by barczablog

I can’t stop thinking about Mandle Cheung, the successful tech entrepreneur who paid the Toronto Symphony for the privilege of conducting Mahler’s 2nd Symphony last summer. I wrote a review of the concert for the Globe & Mail, and couldn’t … Continue reading →

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A Rigoletto for our time

Posted on January 29, 2026 by barczablog

The Canadian Opera Company are reviving the Christopher Alden Rigoletto, last seen in 2018 and first seen here in 2011. I have always been conflicted about it, a production that in some ways shows the real story that composer Giuseppe … Continue reading →

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Interviewing Nicholas Rice before Another Side Of Rice

Posted on January 16, 2026 by barczablog

I wanted to interview Nicholas Rice, intrigued by the show he’s doing at Red Sandcastle Theatre, Another Side Of Rice. He’s a story-teller and an actor. A Side of Rice was on last March at the Red Sandcastle Theatre. And … Continue reading →

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Lawrence Wiliford shaping art song’s future

Posted on January 13, 2026 by barczablog

Tenor Lawrence Wiliford joined with pianist Steven Philcox and together founded the Canadian Art Song Project (CASP) in 2011. Someday I hope to interview pianist Steven Philcox, who has partnered Lawrence on his CASP journey. A few years ago Lawrence … Continue reading →

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Toronto Operetta Theatre’s Czardas Princess starts the New Year

Posted on January 5, 2026 by barczablog

Toronto Operetta Theatre began the new year of 2026 looking over their shoulders with a romance that had its premiere over a century ago in Vienna: Imre Kálmán’s Czardas Princess. We went on the weekend sitting among a boisterously enthusiastic … Continue reading →

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One of Joyce Wieland’s paintings

Posted on December 31, 2025 by barczablog

Zoe and I walked through the many wonderful pieces displayed in Joyce Wieland’s show Heart On, running at the AGO until Sunday January 4th. The conversations I have been having with Zoe about criticism can feel different depending on where … Continue reading →

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Accompanying Lepage to The Far Side of the Moon

Posted on December 24, 2025 by barczablog

Sometimes my need to explain myself leads to huge introductions that may confuse or perplex, pre-ambulations that happen both on foot and in the words of the blog. As 2025 closes I escaped into recreation at the Red Sandcastle Theatre, … Continue reading →

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Tafelmusik Messiah sounds new through the drama of live performance

Posted on December 20, 2025 by barczablog

While there’s something comforting in being able to return to a classic text year after year, I always hope to find ways to make it a fresh experience. Tafelmusik’s first 2025 Messiah on Thursday December 18th at Koerner Hall had … Continue reading →

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