Tag Archives: Yuja Wang

Tafelmusik and Jakob Lehmann introduce us to Sophie Gail, Louise Farrenc and also Beethoven

Posted on September 26, 2026 by barczablog

The Tafelmusik concert I heard Friday night at Koerner Hall makes an interesting chaser to the Toronto Symphony Concert I saw Thursday, my previous lengthy rapturous review. Yes there’s a lot going on in Toronto, and these two concerts on … Continue reading →

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Yuja Wang plays Prokofiev: a study in contrasts to open the Toronto Symphony season

Posted on September 25, 2026 by barczablog

“Yuja Wang Plays Prokofiev” might be the title of the Toronto Symphony’s opening concert of the 2026-27 season Thursday September 24th, but we heard a great deal more last night. Yuja also played four brilliant encores in a breath-taking display … Continue reading →

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Questions for composer Linda Catlin Smith: an interview

Posted on September 19, 2026 by barczablog

Linda Catlin Smith is a composer I’m pleased to interview, as a couple of her works are about to be premiered, including one by the Toronto Symphony next week. Her music is heard and acclaimed around the world, whether it’s … Continue reading →

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Ugly crying at Yuval Sharon’s brilliant Tristan und Isolde from the Metropolitan Opera

Posted on March 23, 2026 by barczablog

Saturday March 21st I was among the viewers in a Scarborough Cineplex watching and listening to the Metropolitan Opera high definition broadcast of Tristan und Isolde directed by Yuval Sharon, conducted by Yannick Nezet-Seguin. At least as far as the … Continue reading →

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Norman Lebrecht vs Yuja Wang using Lebrecht’s own quote against him

Posted on February 27, 2026 by barczablog

Here I am posting something that at first glance will look like gossip. Norman Lebrecht thrives on gossip in Slipped Disc but karma seems to be slapping him right in his lumbar region. Speaking of which I have a bone … Continue reading →

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Yuja Wang plays Tchaikovsky with the Toronto Symphony

Posted on April 17, 2025 by barczablog

I have never seen Roy Thomson Hall as full as it was tonight, Wednesday April 16th. They had a cop directing the cars out of the underground parking garage: because so many people came to see Yuja Wang play the … Continue reading →

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Yuja Wang’s Rachmaninoff

Posted on June 19, 2023 by barczablog

What’s in a name. “Yuja Wang’s Rachmaninoff” was the title of the final program to bring the Toronto Symphony 100th Anniversary Season to a powerful close. All three concerts were sold out. We knew why we wanted to be there, … Continue reading →

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Best of 2022

Posted on January 9, 2023 by barczablog

I enjoy recalling the best moments of the past 12 months. There’s a fork in the road, however. One pathway leads towards that which is truly “new”, while the other relies on what we’ve seen before. Need I mention, the … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Yuja Wang, Magnus Lindberg, Anton Bruckner and the TSO

Posted on October 21, 2022 by barczablog

As we tentatively poke our heads out, looking for signs that normal life has resumed after the pandemic, concerts like tonight’s from the Toronto Symphony affirm relationships & collaboration, the latest in a series of celebratory moments in the orchestra’s … Continue reading →

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Beethoven 250: interpreting Sonata #9

Posted on November 14, 2020 by barczablog

There are at least two ways to understand music. We listen. Perhaps you hear a performance on some device such as your smartphone, your TV or a computer, or even in a live setting such as a concert or a … Continue reading →

Posted in Books & Literature, Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Popular music & culture, Sports | Tagged , , , , , , , , | 5 Comments