Author Archives: barczablog

Grounded and how we got here

Posted on November 10, 2024 by barczablog

I was disappointed to miss the live High Definition broadcast of Grounded October 19th, seeing the Canadian Opera Company Nabucco. I thought that the main reason I wanted to attend was to see brilliant mezzo-soprano Emily D’Angelo in the lead … Continue reading →

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Stunning serendipity as John Adams Returns

Posted on November 7, 2024 by barczablog

The concert is titled “John Adams Returns”. Toronto Symphony seemed prescient in welcoming the composer this week to conduct a program including some of his own works. It’s uncanny. By the serendipity of the calendar tonight’s concert had a special … Continue reading →

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Faust Adaptations

Posted on November 4, 2024 by barczablog

Today I saw the closing performance of the Canadian Opera Company’s new production of Gounod’s Faust, in a week when it seemed everyone was selling their soul to the devil even without the manifest falsehoods of politicians at election time. … Continue reading →

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2024 Centre Stage Ensemble Studio Competition

Posted on October 31, 2024 by barczablog

Tonight was the Center Stage competition, seven soloists singing with the Canadian Opera Company Orchestra led by Johannes Debus at the Four Seasons Centre. I wasn’t there. I watched the livestream from home, pleasantly surprised by the quality of what … Continue reading →

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Her Name is Lucy Barton

Posted on October 24, 2024 by barczablog

I just came home from seeing My Name is Lucy Barton at the Bluma Appel theatre, in Canadian Stage’s new production of Rona Munro’s 2018 adaptation of Elizabeth Strout’s 2016 novel of the same name. It felt so close to … Continue reading →

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Nabucco not as written

Posted on October 23, 2024 by barczablog

I had another chance to see the Canadian Opera Company’s Nabucco last Saturday, this time using my subscription seat. The first time courtesy of the COC comp ticket I watched and listened as a reviewer, while this time it was … Continue reading →

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A natural high from Tafelmusik’s Feast of Unknowns

Posted on October 19, 2024 by barczablog

Tafelmusik have outdone themselves this time. This concert titled Feast for the Senses was an exploration of new flavours presented with the assistance of Amandine Beyer, guest director and violin soloist, a genuine feast. Baroque for most people means Bach … Continue reading →

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Everlastingness: Micah Schroeder and Stéphane Mayer in concert October 22nd– POSTPONED

Posted on October 15, 2024 by barczablog

UPDATE from Micah Schroeder (via Facebook)  “It is with a heavy heart that due to unforeseen personal circumstances of one of our performers, we are no longer able to present our recital Everlastingness on Tuesday October 22. I was so … Continue reading →

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Ambitious COC Faust

Posted on October 14, 2024 by barczablog

The Canadian Opera Company have a new production of Charles Gounod’s 1859 opera Faust, telling the tale of the old man who sells his soul to the devil for youth and romance. Gounod’s opera is but one of the many … Continue reading →

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Sankofa: The Soldier’s Tale Retold, and Andrew Burashko’s farewell to Art of Time

Posted on October 9, 2024 by barczablog

For the last 25 years, Art of Time Ensemble has been on the cutting edge of the performing arts in Canada, fusing music with theatre, dance, film and literature in unique and unprecedented ways. The list of illustrious artists who … Continue reading →

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