Tag Archives: Thomas Adès

Sounds like hell Mr Adès: Looking in the mirror of The Exterminating Angel

Posted on November 16, 2020 by barczablog

I wasn’t sure I’d have the nerve to go through with it, watching an opera that seems to show us exactly the predicament we face. Based on the surreal film from Luis Bunuel, The Exterminating Angel was today’s free Metropolitan … Continue reading →

Posted in Animals, domestic & wild, Books & Literature, Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Reviews, Spirituality & Religion | Tagged , , , , , | Leave a comment

Thomas Søndergård leads the TSO

Posted on October 21, 2018 by barczablog

Tonight was the second of two consecutive concerts of the Toronto Symphony conducted by Danish maestro Thomas Søndergård, a spectacular program devoured by an eager audience showing off the strengths of the orchestra: Thomas Adès: Dances from Powder Her face … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , , | 3 Comments

Ten Questions for Mark Shulgasser

Posted on October 20, 2013 by barczablog

Mark Shulgasser is a librettist especially known for his collaborations with composer Lee Hoiby.  They created several operas together, until Hoiby’s passing in 2011.  One might call Shulgasser a champion for Hoiby’s work, except that I believe Shulgasser is still … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , , , , | 1 Comment

Egoyan: teaching us how to hear

Posted on April 20, 2013 by barczablog

I was certainly ready for the concert I attended tonight at Glenn Gould studio, to launch Eve Egoyans CD 5 .  Work had drained me, and yes, i’d been listening to her CD a great deal. I found myself thinking … Continue reading →

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Adès contra Parsifal

Posted on April 13, 2013 by barczablog

Ever notice that conversations can reinforce and honour contrary positions? When you sit down with someone over latkes, beers or (name your pleasure), the celebration and enactment of community & indeed, communion, makes the points where you diverge immaterial. You … Continue reading →

Posted in Books & Literature, Personal ruminations & essays | Tagged , , , , , , , , , , , | 4 Comments

Adès Conversations

Posted on April 7, 2013 by barczablog

I am thinking a lot about the nature of criticism.  On a recent trip I sat on the airplane reading a fascinating book that’s called Conversations with Tom Service.  How fascinating could such a book be? Ah but it’s a … Continue reading →

Posted in Books & Literature, Reviews | Tagged , , , | 2 Comments

Adès, Oakes, Lepage

Posted on November 16, 2012 by barczablog

Watching and hearing the Metropolitan Opera high definition broadcast of The Tempest, I wonder “whose” Tempest to call it. If you listen to Joseph Kerman—who says the composer is the dramatist–you’d say it belongs to Thomas Adès: the composer A … Continue reading →

Posted in Reviews | Tagged , , , , , , , | 4 Comments