Author Archives: barczablog

Tafelmusik’s Beethoven: the romance continues

Posted on January 26, 2015 by barczablog

Let’s begin by saying I’m not your typical Tafelmusik fan.  Yes I love their work with Opera Atelier under David Fallis & at Messiah time with Ivars Taurins (aka Herr Handel), but I am often frustrated by them.  Tafelmusik could … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , | 1 Comment

Some resist seduction by Tcherniakov’s Don Giovanni

Posted on January 25, 2015 by barczablog

Today’s opening of the Canadian Opera co-production of Don Giovanni directed by Dmitri Tcherniakov met with a mixed reception at the Four Seasons Centre. I heard a few boos, saw some empty seats at the end and heard an earful … Continue reading →

Posted in Opera, Reviews | 10 Comments

Opera 5: Modern (Family) Opera

Posted on January 24, 2015 by barczablog

I was invited to think and feel at tonight’s first performance of the Opera 5 program “Modern (Family) Opera”. I laughed a lot, I felt a lot, and my mind’s awhirl. The family theme is approached from two very different … Continue reading →

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Songs of Love and War

Posted on January 22, 2015 by barczablog

The title of today’s noon-hour concert at the Richard Bradshaw Amphitheatre –“Songs  of Love and War”—is  a curious umbrella sheltering a diverse group of songs & composers.  I can only speculate on the rationale for the programme, created for members … Continue reading →

Posted in Music and musicology, Reviews | 4 Comments

10 Questions for Kyle Ketelsen

Posted on January 20, 2015 by barczablog

Kyle Ketelsen is a special talent, a wonderful voice with extraordinary dramatic presence. I’ve seen him twice. The first time he was in the Canadian Opera Company’s La Cenerentola, when I said that he “brought a majestic sound to the … Continue reading →

Posted in Interviews, Opera | 1 Comment

10 Questions for Jennifer Holloway

Posted on January 19, 2015 by barczablog

Lauded for her “nuanced dramatic impulses” and “voice that is liquid, lambent, and lit from within”, American singer Jennifer Holloway gives new life to the characters she plays and the music she sings at leading opera houses and concert halls … Continue reading →

Posted in Interviews, Opera | Tagged , | 1 Comment

Based on a True Story: Big Eyes and The Theory of Everything

Posted on January 18, 2015 by barczablog

A new production of Don Giovanni opens at the Canadian Opera Company next week, followed shortly by Die Walküre.  Neither one bears the epithet “based on a true story”, as so many current films seem to (thinking for instance of … Continue reading →

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10 Questions for Heidi Melton

Posted on January 17, 2015 by barczablog

If a list of engagements on a website is anything to go by, Heidi Melton is coming into her own. Toronto audiences are lucky to be able to see the young soprano at a time when she’s taking on all … Continue reading →

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COC Season launch #coc1516: come back, all is forgiven

Posted on January 15, 2015 by barczablog

The launch of the Canadian Opera Company’s 2015-2016 season felt like a genuine celebration, a special occasion because of the performances, and a moment when the COC appears to be looking boldly forward. Speaking as a subscriber, though, I feel … Continue reading →

Posted in Opera | 2 Comments

Talisker Players: Puttin’ on the Ritz

Posted on January 12, 2015 by barczablog

Talisker Players, that inter-disciplinary nexus for music & text, have made another crossover adventure. “Puttin’ On the Ritz” takes us into the world of Irving Berlin, in a series of songs sung by Bud Roach and Whitney O’Hearn. I’d call … Continue reading →

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