Author Archives: barczablog

Andrew Davis – Verdi Requiem

The Toronto Symphony are celebrating a 40 year relationship with Sir Andrew Davis, their one-time music director (from 1975-1988) and currently their Conductor Laureate, with a series of concerts over the next couple of weeks. Tonight’s concert featured Verdi’s Requiem, … Continue reading →

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Is #AtGdeathdesire a new genre?

The word “new” is getting old pretty fast.  It’s used every time we encounter something a bit different. Nowadays everything is either retro, new or some combination of the two.  I am hesitant about using the word in the headline … Continue reading →

Posted in Music and musicology, Opera, Reviews | 4 Comments

Brecht, Music and Culture: Hanns Eisler in Conversation

I have a fondness for interviews, having conducted quite a few on this blog, but I can only look on in awe when I see someone capable of asking really good questions when I see someone capable of making really … Continue reading →

Posted in Books & Literature, Music and musicology, Personal ruminations & essays | 2 Comments

Four Last Songs: aging, creativity and the meaning of life

The cover picture shows Giuseppe Verdi sitting with a reflective expression on his face while he plays the piano. The book’s title is Four Last Songs: Aging and Creativity in Verdi, Strauss, Messiaen and Britten, the latest collaboration between Linda … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Reviews | Tagged , , , , | 2 Comments

Ensemble Barber an initiation

This was my third look at the Canadian Opera Company Barber of Seville but through a very particular lens. Each season the COC gives over one of their performances to their Ensemble Studio, the talented young singers who are serving … Continue reading →

Posted in Opera, Reviews | 2 Comments

MYSTERY MURDER MADNESS for Mother’s Day with Robert Lepage’s Bluebeard / Erwartung

When the advertising screams out “MYSTERY MURDER MADNESS” you know it’s going to be a dark afternoon at the Four Seasons Centre even if it’s Mother’s Day.  But Dr Freud would approve the use of upper case. The operas are … Continue reading →

Posted in Opera, Reviews | 2 Comments

10 Questions for Alex Fallis

Alex Fallis is a Toronto native who has been a part of the Canadian professional theatre for over thirty years. He is an actor, director, singer and teacher. As a performer and director, he has experience in opera, musical theatre, … Continue reading →

Posted in Art, Architecture & Design, Dance, theatre & musicals, Interviews, Music and musicology, Opera | Tagged , , | Leave a comment

Closer to the Barber

I had another look at the Canadian Opera Company’s production of The Barber of Seville, this time up close (aka my subscription seats which are in the front of the orchestra). It’s an interpretation full of clever touches. The sensibility … Continue reading →

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TSO on the road with Lau, Mendelssohn and Bruckner

Tonight’s Toronto Symphony concert was a kind of farewell before going on a short tour to Ottawa & Montreal. The Roy Thomson Hall audience heard the programme they’re taking on the road. Each of the three works represents a special … Continue reading →

Posted in Music and musicology, Reviews | 3 Comments

Eitan Cornfield passes Music Mondays torch to Ian Grundy

Dear Friends of Music Mondays, Our series has served as a launching pad for the best of Toronto’s emerging talent since its inception in 1992. We continue the tradition this year with an exciting lineup of performers  both familiar and … Continue reading →

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