Author Archives: barczablog

September Buzz

In the circles I share in person or online I am thinking about the question of buzz, to which I alluded recently. I’m excited to be going to a brand-new opera tomorrow night, namely Julie Sits Waiting.  It’s hard for … Continue reading →

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Backbone and the moral high-ground

As a Canadian I am sitting back, wondering whether Barack Obama will be re-elected or not, and what impact if any, we’ll see from these events north of the border in Canada. It makes great television, a dramatic pageant ritualistically … Continue reading →

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Once is not enough

We know that technology is changing rapidly.  Can you imagine that human perception would somehow remain unchanged, or is it more likely that with all the new platforms, applications, and media, that our brains might work in new ways? Such … Continue reading →

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Crossover Kaffe

“Crossover” is a word used to describe artists venturing into a new discipline.  It’s not always a complimentary epithet, considering that What some will celebrate as a new arrival others may perceive as an invasion Expectations aren’t necessarily very high, … Continue reading →

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10 Questions for Fides Krucker

Fides Krucker is an inter-disciplinary vocalist, a performer, creator and teacher specializing in contemporary vocal repertoire: prolific, versatile & regularly involved in new creations here and abroad. Krucker is known for her performances of Canadian composer R. Murray Schafer’s works … Continue reading →

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Buzz

At the first COC podcast, we discussed the implications of a post from John Terauds, when he speculated about Toronto audiences. In passing it was observed by one of us (perhaps Wayne Gooding, perhaps John Gilks, perhaps Gianmarco Segato; all … Continue reading →

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10 Questions for Tamara Wilson

Tamara Wilson is a soprano who’s going places, a major talent with the voice to be a star. An alumna of the Houston Grand Opera Studio, Wilson’s awards include the George London Award from the George London Foundation, as well … Continue reading →

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Contrasting Butterflies

Classrooms can be amazing places for discovery, especially for the teacher.  Sometimes we can’t anticipate what develops right in front of us. Not long ago I showed two contrasting DVD versions of Puccini’s Madama Butterfly to my opera class. Having … Continue reading →

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COC Podcast

The conversation about the arts is as much about the audience as it is about the art.  If you’re marketing the question can be one of identification (who’s coming to see/hear) as much as how to find, connect with and … Continue reading →

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Debussy by Design

Today is Debussy’s 150th birthday, the occasion for a recent series of posts about the seminal composer & writer: Unfinished Sympathy (Aug 21) Debussy and the writers  (Aug 19) Debussy Sesqui (Aug 16) I’m going to talk about another aspect of the composer … Continue reading →

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