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Tag Archives: Aleksandar Lukac
Rhino
Rhino is an adaptation of Ionesco’s 1959 absurdist play Rhinoceros, by Aleksandar (Sasha) Lukac and Emilie Varga. Last night I watched its premiere at Theatre Glendon with students in Lukac’s drama class. It’s much shorter than the original. As I … Continue reading
Aleksandar Lukac discusses his adaptation of Ionesco’s Rhinoceros
Rhino is Aleksandar (Sasha) Lukac’s adaptation of Rhinoceros, opening March 9th at Glendon College. Sasha directed over sixty professional theatre productions in his native Yugoslavia (now Serbia and Bosnia), which garnered seven Grand Prix awards for Best Director as well … Continue reading
Pushing our buttons 2: pornographic musings on Actéon and Venus
Ten days ago I posted something about erotic opera, especially as it pertains to Actéon, an opera that is to be presented again by Opera Atelier beginning Thursday October 25th at the Elgin Theatre. Near the end of that post … Continue reading
Posted in Animals, domestic & wild, Music and musicology, Opera, Personal ruminations & essays, Psychology and perception, University life
Tagged Actéon, Aleksandar Lukac, Alex Dobson, Aphrodite, Charpentier, DH Lawrence, Drama Centre, Hadrian, Jay Lambie, Leopold Sacher-Masoch, Marquis de Sade, Michael Sawarna, Mozart & Salieri, Opera Atelier, Pierre Louÿs, Pushkin, Richard Strauss, Rimsky-korsakov, Rufus Wainwright, Salome, Sarah Gartshore, The Virgin & the Gypsy, Venus in Furs, Wayne Line
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Questions about Life Is a Dream
Aleksandar Lukac aka Sasha Lukac is a director known on both sides of the Atlantic, a former Artistic Director of the National Theatre of Serbia who now teaches and directs in his own inimitable style at York University. I’ve had … Continue reading
Unexpected WWI Cabaret
When I say “World War I” what pops into your head? Mustard gas? Trench warfare: a stalemate in muddy battlefields? In Flanders Fields: a desperately sad poem about honour? A war of attrition? The end of illusions about heroism and … Continue reading
Move(me)ant. The Marat/Sade Occupied
There are so many things going on in Move(me)ant. The Marat/Sade Occupied that it helps to be a good multi-tasker. Its first public preview Tuesday February 28th gave us much more than a play. This student production at York University … Continue reading
10 Questions for Aleksandar Lukac
Former Artistic Director of the National Theater, Belgrade, Aleksandar Lukac has directed close to a hundred professional productions internationally including Yugoslavia, Holland, Canada and Serbia. Lukac has also been an Artistic Director of Theatre Zoran Radmilovich and the independent political … Continue reading
Out At Sea
Out at Sea, Slawomir Mrożek’s absurd fable was just what the doctor ordered. For the past few months I’ve overdosed on politics: I learned a new verb: “kettling” Conservatives won election after election, with a tory trifecta lurking in the … Continue reading
Crimp’s Treatment
Who is Martin Crimp and where has he been hiding all these years? Maybe as you read this, you’re thinking “he’s not new to ME”. Congratulations if you’re able to say that I just saw my first Crimp play tonight, … Continue reading
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