Author Archives: barczablog

Unexpected Tosca

Posted on February 17, 2012 by barczablog

Just when you think you know how a story will turn out –because it’s such a well-known opera—they throw you a curve.  There’s no drama quite like experiencing a work you think you know, where they’ve changed the usual ending. … Continue reading →

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Dowland in Dublin

Posted on February 16, 2012 by barczablog

A professor I once had claimed that art could be understood as a kind of research.  Something newly created is a proposition to be tested against the taste of every new audience, seeking a fair hearing and possibly a genuine … Continue reading →

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Multiple voices

Posted on February 14, 2012 by barczablog

It’s a curious coincidence.  The two debuts in popular music that I felt at the most visceral level, even though they were separated by many years and with an ocean between them, have something else in common.  No I didn’t … Continue reading →

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Closing the Ring

Posted on February 12, 2012 by barczablog

I love it. When you’re writing about a great massive project it’s easy to be verbose, a lot harder to say something meaningful that’s brief, so let me get the most important part out of the way.  As I said: … Continue reading →

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Opera Atelier Lays Claim to a New Period

Posted on February 9, 2012 by barczablog

Opera Atelier announced their 2012-2013 season, a revival of Mozart’s Magic Flute and a new production of Weber’s Der Freischütz.  This time they’re trying something new. OA are remarkable in the way they build upon their strengths.  Over their quarter … Continue reading →

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House of Dreams

Posted on February 8, 2012 by barczablog

None of the arts exists in isolation.  While I can go to an art gallery and see paintings or sculpture by an artist, those works came from a person who ate, drank, and slept.  Chances are they read books, saw … Continue reading →

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Upwards

Posted on February 4, 2012 by barczablog

I’ve been trying to wrap my head around the images from Kaija Saariaho’s opera Amour de Loin in its Toronto production from the Canadian Opera Company as “Love from Afar“.  When I hit the publish button the other night to … Continue reading →

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From Afar

Posted on February 3, 2012 by barczablog

The love one encounters in Saariaho’s opera Love from Afar is not at all like the love most people think of when they use the word in the 21st century.  And while the work was composed recently employing very modern … Continue reading →

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10 Questions for Michael Slattery

Posted on February 2, 2012 by barczablog

Since graduating from Juilliard, Michael Slattery has enjoyed an exciting international career. He has worked with the New York Philharmonic, the Philadelphia Orchestra, the Los Angeles Philharmonic, Lincoln Center’s Mostly Mozart Festival, the French National Orchestra in Paris, the Akademie … Continue reading →

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Tosca tonight

Posted on February 1, 2012 by barczablog

Puccini’s Tosca can take one of at least a few possible shapes: It can be a riveting thriller of a story, at times keeping you glued to the action It can be a virtuoso vehicle, an opportunity for any one … Continue reading →

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