Tag Archives: Deborah Voigt

Met Walküre

Posted on April 14, 2012 by barczablog

Before I begin this review, I want to give a quick shout out to my pal Robert. “Salut Robert.  Oui je sais que je suis “easy”, ou, comme on dit  “You had me at “Wes Herd dies auch sei/ hier … Continue reading →

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Closing the Ring

Posted on February 12, 2012 by barczablog

I love it. When you’re writing about a great massive project it’s easy to be verbose, a lot harder to say something meaningful that’s brief, so let me get the most important part out of the way.  As I said: … Continue reading →

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Lepage and The End

Posted on January 28, 2012 by barczablog

As I listen to the Metropolitan Opera premiere the last of the four operas in Wagner’s Ring Cycle –streamed for free to an eager audience worldwide—I have to say, the natives are restless.  While Canadians are just fine with Robert … Continue reading →

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What price virtuosity, or the (body) image problem.

Posted on December 14, 2010 by barczablog

I used to see opera and ballet as two sides of the same coin. I understood them in terms of an obsession with power & fluidity, accomplished by ballet’s bodies, and by opera’s voices.   The dancer’s movements were what … Continue reading →

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