Author Archives: barczablog

A last Rigoletto on the cusp of a regime change

Posted on February 15, 2026 by barczablog

For Valentine’s Day 2026 this subscriber attended the Canadian Opera Company’s last performance of Rigoletto in their winter season at the Four Seasons Centre, in Christopher Alden’s rather un-romantic production. The rose petals fall from above as the young girl … Continue reading →

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Three Romantic Violin Sonatas from Duo Concertante

Posted on February 12, 2026 by barczablog

Add Nancy Dahn’s violin to the pianism of Timothy Steeves and you get Duo Concertante. I’m a fan who enjoyed their previous outings playing Beethoven and the edgier pieces on their Ecology of Being recording from 3 years ago. Their … Continue reading →

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A last visit for Alexander Shelley with the NACO

Posted on February 8, 2026 by barczablog

Saturday night the National Arts Centre Orchestra played their annual Toronto concert to an enthusiastic Roy Thomson Hall audience. As 2025-26 is the final season as music director for Alexander Shelley, this was his last visit at the helm of … Continue reading →

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Jonathan Stuchbery: Diapente’s concert Time’s Eldest Son on the 400th Anniversary of John Dowland’s passing

Posted on February 7, 2026 by barczablog

On February 20th, 1626 English lutenist and composer John Dowland died in London, leaving behind a legacy that brought him fame across Europe, and left him as one of the most recognizable names in renaissance music to this day. Jonathan … Continue reading →

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COC Barber in 2026

Posted on February 7, 2026 by barczablog

At first glance the two operas being presented by the Canadian Opera Company represent a contrasting pair. Last week I reviewed the dark Christopher Alden Rigoletto, being offered in a revival with a strong cast. Tonight I saw the COC’s … Continue reading →

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Opera Salon Series: Romanticism & Bel Canto

Posted on February 1, 2026 by barczablog

Today I attended a Voicebox: Opera in Concert Opera Salon, highlighting Romanticism & Bel Canto. I want to see any concert or presentation that offers us a new way to offer opera and to find an audience. We’ve seen arias … Continue reading →

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Tafelmusik Brandenburgs

Posted on January 30, 2026 by barczablog

I saw & heard an astonishing concert last night at Jeanne Lamon Hall from Tafelmusik playing a program of well-known music by Johann Sebastian Bach. I heard four of the six Brandenburg concertos and a version of his majestic E-flat … Continue reading →

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Musing on Mandle Cheung’s orchestral adventures: an interview

Posted on January 30, 2026 by barczablog

I can’t stop thinking about Mandle Cheung, the successful tech entrepreneur who paid the Toronto Symphony for the privilege of conducting Mahler’s 2nd Symphony last summer. I wrote a review of the concert for the Globe & Mail, and couldn’t … Continue reading →

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A Rigoletto for our time

Posted on January 29, 2026 by barczablog

The Canadian Opera Company are reviving the Christopher Alden Rigoletto, last seen in 2018 and first seen here in 2011. I have always been conflicted about it, a production that in some ways shows the real story that composer Giuseppe … Continue reading →

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Interviewing Nicholas Rice before Another Side Of Rice

Posted on January 16, 2026 by barczablog

I wanted to interview Nicholas Rice, intrigued by the show he’s doing at Red Sandcastle Theatre, Another Side Of Rice. He’s a story-teller and an actor. A Side of Rice was on last March at the Red Sandcastle Theatre. And … Continue reading →

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