Tag Archives: Jocelyn Morlock

Masterful Rituaels film-concert from collectif9

Posted on December 8, 2020 by barczablog

After seeing a preview, I recommend Rituaels, a new film-concert from collectif9 especially to anyone who is missing live performance, wanting the experience of live music in their home setting, and especially to any artists intrigued by the challenges and … Continue reading →

Posted in Animals, domestic & wild, Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Personal ruminations & essays, Popular music & culture, Reviews, Spirituality & Religion | Tagged , , , , , , , , , , | 1 Comment

RITUÆLS (film-concert)

Posted on December 1, 2020 by barczablog

collectif9 announce the online release of the film-concert Rituæls on December 11, 2020 at 8pm. A 60-minute feature-length film, this production brings together works dating from the Middle Ages to the 21st century, launching a series of films that create … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Press Releases and Announcements | Tagged , , , , , , , | 1 Comment

21C – TSO – Goodyear

Posted on January 17, 2019 by barczablog

Tonight the Toronto Symphony joined forces with members of the Glen Gould School to launch the 21C Festival at Koerner Hall. We heard six works including two world premieres to conclude: Terry Riley: “Half-Wolf Dances Mad in Moonlight” (string orchestra) … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , , , , , | 2 Comments

10 Questions for Jocelyn Morlock 

Posted on January 7, 2015 by barczablog

Juno-nominated composer Jocelyn Morlock is one of Canada’s most distinctive voices. She is Vancouver Symphony Orchestra’s Composer in Residence having just completed a term as inaugural Composer in Residence for Vancouver’s innovative concert series, Music on Main (2012 – 2014). … Continue reading →

Posted in Interviews, Music and musicology | Tagged , , , , , | 5 Comments

Cobalt

Posted on April 23, 2014 by barczablog

It’s a colour.  It’s an element.  And most recently, it’s Jocelyn Morlock’s CD that I’ve been playing incessantly. I first encountered Morlock as one of the composers in the workshop experience of Tapestry Briefs,  a process whimsically compared to speed-dating. … Continue reading →

Posted in Music and musicology, Reviews | Tagged , | 4 Comments