Category Archives: Books & Literature

Looking back, aka Alex Ross’s Wagnerism: Art and Politics in the Shadow of Music

Posted on December 28, 2020 by barczablog

I’m ending 2020 with a pair of complementary book reviews. No they’re not in any way similar in their topics, yet they frame the transition to a new year rather well. Fareed Zakaria’s Ten Lessons for a Post-pandemic World, (the … Continue reading →

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Schirmer Serenade: a cure for Sam’s insomnia

Posted on December 27, 2020 by barczablog

Last night Sam the dog went to bed but didn’t close her eyes. It’s disturbing. As you may have read in other recent posts, she’s sick. The liver isn’t working right, an incurable malady whether you’re a human or a … Continue reading →

Posted in Animals, domestic & wild, Books & Literature, Music and musicology, Personal ruminations & essays | Tagged , , , , | 2 Comments

Beethoven 250: Immortal Beloved

Posted on December 15, 2020 by barczablog

Immortal Beloved (1994)  is one of my favorite films.  While I’ve been told by a Beethoven scholar that the facts aren’t correct in the film, that doesn’t stop me from liking it. How could it be otherwise? Spoiler alert #1: … Continue reading →

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Beethoven 250: recalling Brian Macdonald’s Diabelli Variations

Posted on December 7, 2020 by barczablog

As I reminisce about a piece choreographed by Brian Macdonald I hope I can be forgiven for seguing into remembrance of the man, who is known for many things. You probably saw one of the musicals he directed at Stratford, … Continue reading →

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Rapt and unwrapped

Posted on December 6, 2020 by barczablog

There are days when I’m sure the powers that be are trying to tell me something. Anything can be an omen, but some creatures are especially portentous. I didn’t take Sam the dog outside right away, when I got home … Continue reading →

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Beethoven 250: ethnic music

Posted on December 2, 2020 by barczablog

This blog expands on something I proposed November 20th when I talked about Beethoven’s multiple incarnations. Everyone has dimensions or facets to their personality. I hope that’s not a radical idea. There are things we proudly show off, other things … Continue reading →

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Lithgow’s Trumpty Dumpty

Posted on November 29, 2020 by barczablog

John Lithgow is one of the most theatrical personalities I can think of. Yes he acts in film & television, but perhaps more importantly, he is an ostentatious performer. He’s not subtle. Not only is he a big man with … Continue reading →

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Sky Gilbert’s remarkable new book Shakespeare Beyond Science: When Poetry Was the World

Posted on November 23, 2020 by barczablog

I am on my third read-through of Sky Gilbert’s Shakespeare Beyond Science: When Poetry Was the World. It is the best book I’ve read this year, one of the most interesting books I’ve ever encountered. I’ve been dancing around this … Continue reading →

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Sounds like hell Mr Adès: Looking in the mirror of The Exterminating Angel

Posted on November 16, 2020 by barczablog

I wasn’t sure I’d have the nerve to go through with it, watching an opera that seems to show us exactly the predicament we face. Based on the surreal film from Luis Bunuel, The Exterminating Angel was today’s free Metropolitan … Continue reading →

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Beethoven 250: interpreting Sonata #9

Posted on November 14, 2020 by barczablog

There are at least two ways to understand music. We listen. Perhaps you hear a performance on some device such as your smartphone, your TV or a computer, or even in a live setting such as a concert or a … Continue reading →

Posted in Books & Literature, Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Popular music & culture, Sports | Tagged , , , , , , , , | 5 Comments