Category Archives: Music and musicology

TSM Metamorphosis

Posted on July 29, 2023 by barczablog

Toronto Summer Music’s theme is the same as the title for last night’s concert, namely “metamorphosis”. I’m writing about it Saturday on the closing weekend of the festival. I’ve been pondering that word over and over in response to the … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , , , , , , , , , | Leave a comment

TSM J’Nai Bridges

Posted on July 28, 2023 by barczablog

The drama of tonight’s Toronto Summer Music Recital at Koerner Hall was as much about the one who didn’t sing (Sondra Radvanovsky) as the one who did (J’Nai Bridges). I’m sympathetic to Sondra however much I may have wished to … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Reviews | Tagged , , , , , , , | Leave a comment

TSM: Tradition

Posted on July 22, 2023 by barczablog

Some words have such broad definitions that we miss some of the possibilities. That’s what I experienced last night at the Toronto Summer Music Concert titled “Tradition”. We don’t always get the opportunity to reflect upon this process nor to … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Reviews | Tagged , , , , , , , , , , , | 1 Comment

The Butterfly Project

Posted on July 13, 2023 by barczablog

Teiya Kasahara gave the first iteration of a self-exploratory monologue from Amplified Opera tonight at the Toronto Summer Music Festival in Walter Hall. It’s called The Butterfly Project because it’s to be an ongoing investigation, inviting us to explore the … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , , , , | Leave a comment

Toronto Summer Music Metamorphosis

Posted on July 7, 2023 by barczablog

Tonight was the opening concert of Toronto Summer Music, a festival running until July 29th in several performance spaces around Toronto. For a festival such as this one with the dual objectives of showcasing performance and training artists in its … Continue reading →

Posted in Music and musicology | Tagged , , , , , , , , , | 1 Comment

Black Panther in concert with the Toronto Symphony

Posted on June 30, 2023 by barczablog

This was a Toronto Symphony performance like no other. The idea of presenting a film with live accompaniment isn’t new, indeed that’s how they used to do it in the old days. At one time –thinking of the silent era– … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Reviews | Tagged , , , , , , , , | Leave a comment

Rossini’s Otello from Opera By Request

Posted on June 26, 2023 by barczablog

Last night I watched a concert presentation of Rossini’s Otello from Opera By Request, a company who demonstrate their importance with every outing.   Bill Shookhoff leads from the piano working without a conductor, seated upstage of performers who face the … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Reviews | Tagged , , , , , , , , , , , , | Leave a comment

Yuja Wang’s Rachmaninoff

Posted on June 19, 2023 by barczablog

What’s in a name. “Yuja Wang’s Rachmaninoff” was the title of the final program to bring the Toronto Symphony 100th Anniversary Season to a powerful close. All three concerts were sold out. We knew why we wanted to be there, … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , , , , , | Leave a comment

Gimeno and TSO: old music made new

Posted on June 9, 2023 by barczablog

I will quietly keep calling Gustavo Gimeno the Toronto Symphony’s “new” music director in my head, but maybe not for the reason you think. Yes he started in 2021, delayed over a year by the pandemic’s impacts on performing arts. … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , , , , , | Leave a comment

Apocryphonia: A Cabinet of Curiosities

Posted on May 27, 2023 by barczablog

There’s so much one can say about last night’s Apocryphonia concert “A Cabinet of Curiosities”, but I’ll try to keep it under control. I talked my head off with tenor Alexander Cappellazzo, who is the founder of Apocryphonia and the … Continue reading →

Posted in Music and musicology, Reviews | Tagged , , , , , , , | Leave a comment