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Tag Archives: Royal Conservatory of Music
Best of 2022
I enjoy recalling the best moments of the past 12 months. There’s a fork in the road, however. One pathway leads towards that which is truly “new”, while the other relies on what we’ve seen before. Need I mention, the … Continue reading
Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera
Tagged Against the Grain Theatre, Alexander Neef, ARC Ensemble, Arkady Spivak, Canadian Opera Company, CERB, Chris Abraham, Conan and the Stone of Kelior, Corey Arnold, Crow's Theatre, Eldritch Theatre, Elisa Citterio, Eric Woolfe, Gay for Pay, Gould's Wall, Gustavo Gimeno, Joel Ivany, Kyle McDonald, Lauren Pearl, Michael Hidetoshi Mori, Nicole Lizée, OCADU, Perryn Leech, RCM, Royal Conservatory of Music, RUR A Torrent of Light, Simon Wynberg, Sweeney Todd, Tafelmusik, Talk is Free Theatre, Tapestry Opera, The Lion Heart, TIFT, Toronto Symphony Orchestra, TSO, Wajdi Mouawad, Yuja Wang
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ARC Ensemble plays The Music of Robert Müller-Hartmann
Today I had the exquisite pleasure of a live encounter with the music of Robert Müller-Hartmann, through the ARC Ensemble at the Royal Conservatory of Music’s Mazzoleni Concert Hall, playing a program to be broadcast by CBC Radio 2. I’ve … Continue reading
Posted in Reviews
Tagged Alberto Hemsi, ARC Ensemble, CBC Radio 2, Chandos, Dmitri Klebanov, Erika Raum, Hans Krása, Kevin Ahfat, Marie Bérard, Mazzoleni Concert Hall, Music in Exile, Ralph Vaughan-Williams, Robert Müller-Hartmann, Royal Conservatory of Music, Simon Wynberg, Steven Dann, Thomas Wiebe, Viktor Ullmann
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ARC Ensemble: Chamber works by Alberto Hemsi
ARC Ensemble are the Artists of the Royal Conservatory of Music in Toronto. They are superb players but they’re also important because of the work they do. For example, their new recording Chamber Works by Alberto Hemsi, that was just … Continue reading
Competing icons at the RCM: Gould, Liszt and others
It’s a branding exercise to give a building a name. Roy Thomson has his hall. Both Rogers and Four Seasons have Centres. They already have The Glenn Gould School in the Royal Conservatory of Music. So why not also give … Continue reading
Posted in Art, Architecture & Design, Books & Literature, Music and musicology, Opera
Tagged Brian Current, Franz Liszt, Géza Stremeny, Gesamtkunstwerk, Glenn Gould, Gregory Finney, Lauren Pearl, Liza Balkan, Lydia Perović, modernist, Richard Wagner, Royal Conservatory of Music, Tamás Fekete
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Gould’s Wall
Tapestry Opera have premiered Brian Current’s new site-specific work Gould’s Wall, an event that adds another layer to the association between the Royal Conservatory of Music and one of their most distinguished alumni Glenn Gould. I like it more than … Continue reading
Immortal Glenn Gould
I want to write something about Glenn Gould. Who is he, what is his legacy in 2022? I’m thinking about what GG means to me as I anticipate Tapestry Opera’s premiere of Gould’s Wall, a new site-specific opera opening August … Continue reading
Posted in Art, Architecture & Design, Books & Literature, Dance, theatre & musicals, Music and musicology, Opera
Tagged Brian Current, Glenn Gould, Gould's Wall, JS Bach, Liza Balkan, Marshall McLuhan, Michael Mori, Richard Wagner, Royal Conservatory of Music, Ruth Abernethy, Tapestry Opera
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ARC Ensemble –Dmitri Klebanov Chamber Works
Exile doesn’t just occur when you’re distant from your homeland. What about artists ignored or silenced inside their country? I never thought of it that way before reading Simon Wynberg’s excellent essay in the liner notes to ARC Ensemble’s new … Continue reading
Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Politics, Reviews, University life
Tagged anti-Semitism, ARC Ensemble, Bernard Herrmann, Dmitri Klebanov, Dmitri Shostakovich, Erika Raum, exile, Gustav Mahler, Kevin Ahfat, Marie Bérard, North by Northwest, Royal Conservatory of Music, Simon Wynberg, Steven Dann, Thomas Wiebe
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10 Questions for Joel Ivany
Joel Ivany’s career seems to be taking off. His work with Against the Grain Theatre here in Toronto is impressive enough, but in addition he directed the recent World premiere of Gavin Bryars chamber opera Marilyn Forever with the Aventa … Continue reading
Posted in Dance, theatre & musicals, Interviews, Opera
Tagged Against the Grain Theatre, Albert Herring, AtG, Aventa Ensemble, Christopher Mokrzewski, Debussy, Edmonton Opera, Figaro's Wedding, Gavin Bryars, Joel Ivany, Korngold, Le Nozze di Figaro, Les Contes D’Hoffmann, Macbeth, Marilyn Forever, Messiah, Minnesota Opera, Miriam Khalil, Nabucco, Pelleas et Melisande, Robert Carsen, Royal Conservatory of Music, The Rape of Lucretia, The Silent Serenade, University of Toronto, Verdi, Western University
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10 questions for Alaina Viau
Alaina Viau works at the Glenn Gould School at the RCM as the Opera and Royal Conservatory Orchestra Manager. What makes her tick? Real performances where there is natural movement and real emotions on stage, with singing that will make … Continue reading