Category Archives: Music and musicology

Colin Eatock’s Birthday concert

Posted on February 21, 2023 by barczablog

No there was no cake or champagne but I’m watching my weight and can’t drive home to Scarborough if I’ve been drinking. Yet it was truly like a party, a celebration of our host Colin Eatock on the occasion of … Continue reading →

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NACO Songs for Murdered Sisters

Posted on February 12, 2023 by barczablog

Every year at this time, the Toronto Symphony and National Arts Centre Orchestras visit one another as part of a tour. NACO and Joshua Hopkins brought the cycle Songs for Murdered Sisters by Jake Heggie and Margaret Atwood to Roy … Continue reading →

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Questions for Colin Eatock at 65

Posted on February 6, 2023 by barczablog

The invitation from Colin Eatock caught my eye: “I’m organizing a concert in Toronto on February 20 (my 65th birthday).The programme will include a new piece by me.Admission is by donation — I hope you can make it!” We’ve seen … Continue reading →

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TSO – TMC Mozart Requiem: Best Concert of the Year

Posted on January 12, 2023 by barczablog

The headline is only partly in jest. Yes it was the best concert so far in 2023, as of January 11th. Many are still saying “Happy New Year” and writing the wrong date on cheques (if they even write cheques … Continue reading →

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Best of 2022

Posted on January 9, 2023 by barczablog

I enjoy recalling the best moments of the past 12 months. There’s a fork in the road, however. One pathway leads towards that which is truly “new”, while the other relies on what we’ve seen before. Need I mention, the … Continue reading →

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Gustavo Gimeno’s First TSO-TMC Messiah

Posted on December 18, 2022 by barczablog

The surest sign the city seems to be returning to something like normal, is Handel’s Messiah performed all over. I’m seeing many friends on Facebook either reporting that they’re singing it or feeling left out because so many others are … Continue reading →

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Mother Sorrow: workshop December 9th

Posted on December 11, 2022 by barczablog

I was privileged to observe an open rehearsal of a new creation titled “Mother Sorrow.” The creative team is large, but I should mention director & choreographer Jennifer Nichols, Composer and music director Adam Scime and librettist (combining new words … Continue reading →

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Popular Tchaikovsky at the TSO

Posted on November 24, 2022 by barczablog

Handel speaks from beyond the grave to remind musicians how he helps pay the rent in a meme. Ballet companies owe Tchaikovsky a similar debt, when families flock to the theatre for The Nutcracker. Popularity can be problematic when it … Continue reading →

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Pre-Democracy with Lucio Silla

Posted on November 21, 2022 by barczablog

I had an epiphany watching today’s presentation of Lucio Silla from Opera in Concert in the St Lawrence Centre. In my review of the opening night of Hannah Moscovitch’s Post-Democracy (that opened at the Tarragon Theatre last Thursday) I included … Continue reading →

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Peter Oundjian warmly welcomed back to TSO

Posted on November 10, 2022 by barczablog

How could it be otherwise? Peter Oundjian, the Toronto Symphony’s Conductor Emeritus, was greeted with a huge ovation when he came out at Roy Thomson Hall to begin tonight’s concert. We brought his wit to the microphone, cleverly mangling Shakespeare … Continue reading →

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