Category Archives: Music and musicology

Allied Music Centre — Massey Hall

Posted on December 9, 2020 by barczablog

Allied Properties makes a transformative contribution to the Massey Hall Revitalization expanding the scope of the project. Featuring an additional performance venue and new dedicated spaces for artist development and community education initiatives (TORONTO – December 8, 2020) – With enormous … Continue reading →

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Masterful Rituaels film-concert from collectif9

Posted on December 8, 2020 by barczablog

After seeing a preview, I recommend Rituaels, a new film-concert from collectif9 especially to anyone who is missing live performance, wanting the experience of live music in their home setting, and especially to any artists intrigued by the challenges and … Continue reading →

Posted in Animals, domestic & wild, Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Personal ruminations & essays, Popular music & culture, Reviews, Spirituality & Religion | Tagged , , , , , , , , , , | 1 Comment

Beethoven 250: recalling Brian Macdonald’s Diabelli Variations

Posted on December 7, 2020 by barczablog

As I reminisce about a piece choreographed by Brian Macdonald I hope I can be forgiven for seguing into remembrance of the man, who is known for many things. You probably saw one of the musicals he directed at Stratford, … Continue reading →

Posted in Books & Literature, Dance, theatre & musicals, Music and musicology, Opera, University life | Tagged , , , , , , , , , | Leave a comment

Beethoven 250: ethnic music

Posted on December 2, 2020 by barczablog

This blog expands on something I proposed November 20th when I talked about Beethoven’s multiple incarnations. Everyone has dimensions or facets to their personality. I hope that’s not a radical idea. There are things we proudly show off, other things … Continue reading →

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RITUÆLS (film-concert)

Posted on December 1, 2020 by barczablog

collectif9 announce the online release of the film-concert Rituæls on December 11, 2020 at 8pm. A 60-minute feature-length film, this production brings together works dating from the Middle Ages to the 21st century, launching a series of films that create … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Press Releases and Announcements | Tagged , , , , , , , | 1 Comment

Beethoven 250: which incarnation?

Posted on November 20, 2020 by barczablog

I hope it isn’t a radical idea to suggest that each of us is really several people, depending on context. The people around me, the places I visit, even the time of day might influence how I act. I’m more … Continue reading →

Posted in Art, Architecture & Design, Cinema, video & DVDs, Music and musicology, Popular music & culture | Tagged , , , , , , , , , , , , , , , | 1 Comment

Sounds like hell Mr Adès: Looking in the mirror of The Exterminating Angel

Posted on November 16, 2020 by barczablog

I wasn’t sure I’d have the nerve to go through with it, watching an opera that seems to show us exactly the predicament we face. Based on the surreal film from Luis Bunuel, The Exterminating Angel was today’s free Metropolitan … Continue reading →

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Beethoven 250: interpreting Sonata #9

Posted on November 14, 2020 by barczablog

There are at least two ways to understand music. We listen. Perhaps you hear a performance on some device such as your smartphone, your TV or a computer, or even in a live setting such as a concert or a … Continue reading →

Posted in Books & Literature, Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays, Popular music & culture, Sports | Tagged , , , , , , , , | 5 Comments

Le tombeau de Couperin: Ravel’s Six Remembrance Monuments

Posted on November 6, 2020 by barczablog

In the first days of November we remember. November 1st is All Saints’ Day, the celebration that gave rise to Halloween, even if modern culture pays more attention to the edgy rebellion implicit in October 31st than the day that … Continue reading →

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Beethoven 250: his double life

Posted on November 4, 2020 by barczablog

Composer Ludwig van Beethoven was born in 1770, almost 250 years ago. The Heiligenstadt Testament was addressed to the composer’s two brothers, Carl & Johann, as a last will and testament. Written in October 1802 as the composer approached his … Continue reading →

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