Category Archives: Opera

Glorious Of the Sea

Posted on March 26, 2023 by barczablog

Of the Sea opened tonight to tumultuous applause from the Bluma Appel Theatre crowd, a co-production of Obsidian Theatre & Tapestry Opera. Kanika Ambrose (libretto) and Ian Cusson (music) have collaborated to bring a beautiful myth to life. I heard … Continue reading →

Posted in Dance, theatre & musicals, Opera, Reviews, Spirituality & Religion | Tagged Bluma Appel Theatre, Chantale Nurse, Ian Cusson, Jennifer Tung, Jorell Williams, Justin Welsh, Kanika Ambrose, LibLab, Of the Sea, Paul Williamson, Philip Akin, Suzanne Taffot, Tapestry Opera | Leave a comment

L’Amant anonyme

Posted on March 20, 2023 by barczablog

Voicebox Opera in Concert presented the last performance of their season series dedicated to Mozart and the operas of his time, L’Amant anonyme by Joseph Bologne, Chevalier de Saint-Georges aka Joseph Boulogne, sometimes called “The Black Mozart”. His life story … Continue reading →

Posted in Opera, Reviews | Tagged Alexander Cappellazzo, Chevalier de Saint-Georges, David Fallis, Dion Mazerolle, Holly Chaplin, Robert Cooper, The Black Mozart, Voicebox Opera in Concert | 2 Comments

Opera York’s Magic Flute

Posted on March 6, 2023 by barczablog

It was worth the drive to Richmond Hill yesterday to see Opera York’s production of The Magic Flute, their first in-person return to the stage since the pandemic. While Friday night’s snow-storm likely reduced attendance, Sunday’s matinee was sold out. … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged Holly Chaplin, Opera York, OperOttawa, Richmond Hill Centre for the Performing Arts, Ryan Downey, The Magic Flute, Wolfgang Amadeus Mozart | 1 Comment

Excited by Canadian Opera Company 2023-24 season announcement

Posted on February 26, 2023 by barczablog

When I saw the email on Thursday from the Canadian Opera Company announcing their 2023-2024 season it moved me to say this on Facebook: That’s more like it! COC’s 2023-24 season: Fidelio, La Boheme, Cunning Little Vixen, Don Pasquale, Don … Continue reading →

Posted in Opera, Press Releases and Announcements | Tagged Alexander Neef, Canadian Opera Company, Perryn Leech | Leave a comment

Questions for Norman E Brown — OperOttawa’s Alcina

Posted on February 20, 2023 by barczablog

I wanted to shine a spotlight on OperOttawa, a relatively new company, by talking to their founder and Artistic Director, Canadian baritone Norman E. Brown. OperOttawa present Handel’s Alcina on March 5th in Ottawa, so I wanted to ask Norman … Continue reading →

Posted in Interviews, Opera, Press Releases and Announcements | Tagged Alcina, Carole Portelance, Domenico Cimarosa, Erinne-Colleen Laurin, Frederic Lacroix, George Frideric Handel, Il Matrimonio Segreto, Jack Hui Litster, Kathleen Radke, Morgan Strickland, Norman E Brown, Opera Lyra, OperOttawa | 1 Comment

Salome returns to tumultuous welcome

Posted on February 4, 2023 by barczablog

The Canadian Opera Company’s co-production of Richard Strauss’s Salome returned last night in the first of seven performances to huge applause. It’s a star vehicle for Ambur Braid in the title role, a wonderful first outing for Michael Schade as … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Opera, Reviews | Tagged Ambur Braid, Atom Egoyan, Canadian Opera Company, Johannes Debus, Karita Mattila, Michael Kupfer-Radecky, Michael Schade, Richard Strauss, Salome | Leave a comment

Salome: from Matthew and Mark, through Oscar, Richard and Atom

Posted on February 1, 2023 by barczablog

It can be enjoyable to trace the changes in the way a story is adapted and/or interpreted. Salome begins in the Gospels of Matthew and Mark. Matthew 14:1-11 (NIV)1 At that time Herod the tetrarch heard the reports about Jesus, … Continue reading →

Posted in Art, Architecture & Design, Books & Literature, Cinema, video & DVDs, Dance, theatre & musicals, Opera, Spirituality & Religion | Tagged Atom Egoyan, Canadian Opera Company, Oscar Wilde, Regietheater, Richard Strauss, Salome, The Ten Commandments | Leave a comment

Guth Ideas to save Figaro

Posted on January 29, 2023 by barczablog

The Canadian Opera Company have revived Claus Guth‘s production of Mozart’s The Marriage of Figaro that they presented to us in 2016, this time with a slightly different cast and conductor. The three and a half hours fly by on … Continue reading →

Posted in Opera, Reviews | Tagged Andrea Carroll, Canadian Opera Company, Claus Guth, Doug MacNaughton, Emily Fons, Gordon Bintner, Harry Bicket, Lauren Fagan, Luca Pisaroni, Marcelo Buscaino, Mireille Asselin, Robert Pomakov, Sasha Djihanian, The Marriage of Figaro, Uli Kirsch, Wolfgang Amadeus Mozart | Leave a comment

Best of 2022

Posted on January 9, 2023 by barczablog

I enjoy recalling the best moments of the past 12 months. There’s a fork in the road, however. One pathway leads towards that which is truly “new”, while the other relies on what we’ve seen before. Need I mention, the … Continue reading →

Posted in Cinema, video & DVDs, Dance, theatre & musicals, Music and musicology, Opera | Tagged Against the Grain Theatre, Alexander Neef, ARC Ensemble, Arkady Spivak, Canadian Opera Company, CERB, Chris Abraham, Conan and the Stone of Kelior, Corey Arnold, Crow's Theatre, Eldritch Theatre, Elisa Citterio, Eric Woolfe, Gay for Pay, Gould's Wall, Gustavo Gimeno, Joel Ivany, Kyle McDonald, Lauren Pearl, Michael Hidetoshi Mori, Nicole Lizée, OCADU, Perryn Leech, RCM, Royal Conservatory of Music, RUR A Torrent of Light, Simon Wynberg, Sweeney Todd, Tafelmusik, Talk is Free Theatre, Tapestry Opera, The Lion Heart, TIFT, Toronto Symphony Orchestra, TSO, Wajdi Mouawad, Yuja Wang | Leave a comment

TOT: Revenge of the Tenors

Posted on December 29, 2022 by barczablog

This afternoon the Toronto Operetta Theatre’s production of Johann Strauss’s Die Fledermaus (or The Bat) opened to a sold-out audience at the St Lawrence Centre. It’s sometimes called “The revenge of the bat” although today I was inclined to think … Continue reading →

Posted in Dance, theatre & musicals, Opera, Reviews | Tagged Andrea Núñez, Derek Bate, Die Fledermaus, Greg Finney, Guillermo Silva-Marin, Kirsten LeBlanc, Scott Rumble, Toronto Operetta Theatre, TOT | Leave a comment