Category Archives: Opera

Competing icons at the RCM: Gould, Liszt and others

Posted on August 10, 2022 by barczablog

It’s a branding exercise to give a building a name. Roy Thomson has his hall. Both Rogers and Four Seasons have Centres. They already have The Glenn Gould School in the Royal Conservatory of Music. So why not also give … Continue reading →

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Gould’s Wall

Posted on August 6, 2022 by barczablog

Tapestry Opera have premiered Brian Current’s new site-specific work Gould’s Wall, an event that adds another layer to the association between the Royal Conservatory of Music and one of their most distinguished alumni Glenn Gould. I like it more than … Continue reading →

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Immortal Glenn Gould

Posted on July 29, 2022 by barczablog

I want to write something about Glenn Gould. Who is he, what is his legacy in 2022? I’m thinking about what GG means to me as I anticipate Tapestry Opera’s premiere of Gould’s Wall, a new site-specific opera opening August … Continue reading →

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Thinking of Diefenbaker for Canada Day

Posted on July 1, 2022 by barczablog

A good performance can change how you understand a piece. I stumbled upon a YouTube recording that I keep listening to over and over, a piece I thought I knew. There are two contrasting tenor arias in Mendelssohn’s oratorio Elijah. … Continue reading →

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TOT: A Waltz Dream

Posted on June 20, 2022 by barczablog

Insights sometimes sneak up on you. I was blind-sided by one today watching the Toronto Operetta Theatre Canadian premiere production of Oscar Straus’ A Waltz Dream at St Lawrence Centre. TOT play an important role offering local artists a place … Continue reading →

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Amazing Immersive Sweeney Todd from TIFT

Posted on June 11, 2022 by barczablog

I’m never going to see a better Sweeney Todd than the one I saw tonight from Talk is Free Theatre at the Neighbourhood Food Hub, Glen Rhodes Campus. Wow. Each night there are just 44 seats available, a cohort providing … Continue reading →

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CCOC Alice in Wonderland

Posted on June 5, 2022 by barczablog

Today I watched an outdoor performance of Alice in Wonderland presented by the Canadian Children’s Opera Company. Over the past few weeks it’s been a joy to see productions that signal a return by many companies forced to the brink … Continue reading →

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From the Met: Jocelyn and Dean create a Hamlet

Posted on June 5, 2022 by barczablog

Adapting a play into an opera can be fascinating work, especially when it’s as well-known a play as Hamlet. I’ve seen several attempts to turn this play into something else including a couple of musicals, an opera long ago, and … Continue reading →

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RUR A Torrent of Ideas

Posted on May 29, 2022 by barczablog

Tapestry Opera and OCAD University have a new site-specific opera on display. I chose the verb carefully given that many think of the medium as something one hears, when its tradition has often been one of spectacle, design, the Deus … Continue reading →

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Mind-boggling Mother of Us All

Posted on May 23, 2022 by barczablog

It was excellent, this Canadian premiere of The Mother of Us All, Virgil Thomson’s setting of Gertrude Stein’s poetic libretto. The opera tells us about Susan B Anthony starring Meghan Lindsay in the title role, presented under the auspices of … Continue reading →

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