Tag Archives: Michael Kamen

Sarah Polley & Terry Gilliam, The Torturer’s Apprentice

Posted on August 31, 2022 by barczablog

Violence is everywhere these days. Excuse me for stating the obvious. I’ve recently seen an adaptation of Shakespeare’s Titus Andronicus that plays with our imaginations, encouraging us to feel for the people getting hurt in the play. Sometimes it’s much … Continue reading →

Posted in Books & Literature, Cinema, video & DVDs, Dance, theatre & musicals, Opera, Psychology and perception | Tagged , , , , , , , , , | 1 Comment

Oxymoronic Gould Transcriptions

Posted on July 29, 2018 by barczablog

It seems like a lifetime ago, back when Glenn Gould was still alive. I’d first learned of him in my childhood as the one who showed us a new approach to Bach, a famous performer who had then abandoned live … Continue reading →

Posted in Books & Literature, Music and musicology, Opera, Personal ruminations & essays, Reviews | Tagged , , , , , , , , , | 3 Comments

Filmscore 101 with Michael Kamen

Posted on June 30, 2015 by barczablog

I was already thinking about the art of the film score composer, having recently given James Horner’s work a look in the wake of his untimely death. A question I sometimes ponder: what is the hardest sort of music to … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Personal ruminations & essays | Tagged , , | 2 Comments

John & Michael: Together Again

Posted on November 23, 2011 by barczablog

[Sentimentality advisory] One of my favourite movies is the 1988 Terry Gilliam film The Adventures of Baron Munchausen (or ABM for short).  It features wonderful work from Eric Idle, an uncredited appearance by Robin Williams (“Ray de Tutto” which makes … Continue reading →

Posted in Cinema, video & DVDs, Essays | Tagged , , , , , , , | 1 Comment