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Category Archives: Opera
Mother Sorrow: workshop December 9th
I was privileged to observe an open rehearsal of a new creation titled “Mother Sorrow.” The creative team is large, but I should mention director & choreographer Jennifer Nichols, Composer and music director Adam Scime and librettist (combining new words … Continue reading
Posted in Art, Architecture & Design, Books & Literature, Dance, theatre & musicals, Music and musicology, Opera, Personal ruminations & essays
Tagged Adam Scime, Benoit Bolduc, Brayden Cairns, Christian Masucci Facchini, David James Brock, Evelyn Hart, Gabor Mate, Gioachino Rossini, Jarrett Siddall, Jennifer Nichols, Lindsay McIntyre, Marshall Pynkoski, Messiah, Mozart's Requiem, Nicholas McClung, Opera Atelier, Pergolesi, Rodney Diverlus, Stabat Mater, theatre history, Tyler Gledhill
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Simon Banks’ Opera: The Autobiography of the Western World
For me Christmas came early, when I got my hands on Simon Banks’ new book Opera: The Autobiography of the Western World. I mention that because this is the ideal gift for anyone you know who loves opera or who … Continue reading
Pre-Democracy with Lucio Silla
I had an epiphany watching today’s presentation of Lucio Silla from Opera in Concert in the St Lawrence Centre. In my review of the opening night of Hannah Moscovitch’s Post-Democracy (that opened at the Tarragon Theatre last Thursday) I included … Continue reading
Posted in Dance, theatre & musicals, Music and musicology, Opera, Politics, Reviews
Tagged Abduction from the Seraglio, Amy Moodie, Daddy Warbucks, Giovanni de Gamerra, Guillermo Silva-Marin, Hannah Moscovitch, Holly Chaplin, Julia MacVicar, La Clemenza di Tito, Lucio Silla, Owen McCausland, Post-Democracy, Robert Cooper, Suzy Smith, Tarragon Theatre, Vania Chan, Voicebox Opera in Concert, Wolfgang Amadeus Mozart
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Holst’s Neptune and Wagner’s Lohengrin Prelude
I’ve just noticed something concerning Gustav Holst’s Planets suite. You’ve probably heard that Holst did not mean planets in the sense of astronomy but rather to be more of a meditation on the astrological significance of each planet. His seven … Continue reading
Orpheus in the Underworld
Toronto Operetta Theatre opened their production of Offenbach’s Orpheus in the Underworld tonight, directed & designed by Guillermo Silva-Marin, and the familiar music conducted by Larry Beckwith. In a month when the opera stages are showing two divas murdered by … Continue reading
Ernesto and Luciano: similar yet different
It was forty years ago. I was in New York on my honeymoon, seeking a ticket to see the Metropolitan Opera (even a scalper if necessary). But I found tickets at the box office, 7th row (if my memory doesn’t … Continue reading
Provocative TSO program: a glimpse of Gimeno
It’s fun getting to know the new music director of the Toronto Symphony, Gustavo Gimeno. I’m excited both by the programming and the performances. Assembling concerts involves a curating process, picking & choosing pieces for performance. Forgive me for repeating … Continue reading
Posted in Books & Literature, Cinema, video & DVDs, Music and musicology, Opera
Tagged 2001: A Space Odyssey, Atmosphères, Charles Baudelaire, Christina Volpini, Claude Debussy, Franz Josef Haydn, Godfather, Gustavo Gimeno, Gyorgy Ligeti, Lohengrin, Ludwig van Beethoven, Richard Wagner, Sarah Polley, Stanley Kubrick, sturm und drang, subito con forza, Toronto Symphony Orchestra, Unsuk Chin, Yefim Bronfman
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