Category Archives: Opera

High Def Lulu: Walmart Opera?

Posted on November 21, 2015 by barczablog

An irritated blast I sent to Facebook is the basis for this commentary (I don’t think it’s fair to call it a review), which is really more a series of speculative questions than answers. At one point in Saturday Nov … Continue reading →

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Tap: Ex METALLURGY: Visigoths in the Cathedral

Posted on November 20, 2015 by barczablog

While all roads may once have led to Rome, in the Canadian opera world, all roads seem to begin with Tapestry and artistic director Michael Hidetoshi Mori, whose visionary ideas are like seeds sown onto the blank staff paper of … Continue reading →

Posted in Opera, Reviews | Tagged , , , | 3 Comments

CanStage / Soundstreams Julie: so old yet so new

Posted on November 18, 2015 by barczablog

Tonight I saw the North American debut of Philippe Boesmans’ opera Julie in a joint production of Soundstreams and Canadian Stage, at the Bluma Appel Theatre, a triumphant opening in front of a full house.  You might want to attribute … Continue reading →

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Mr Turner: painter, paintings, movie

Posted on November 7, 2015 by barczablog

There is a scene in the first half hour of Mike Leigh’s recent film Mr Turner, juxtaposing the creative ambitions of amateurs and professionals. We see Timothy Spall as Turner, greeting a noble on his estate. Another person –likely another … Continue reading →

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13 ways of looking at Pyramus and Thisbe

Posted on November 6, 2015 by barczablog

If a scientist could slice up love and loss into small specimens and put them onto slides and put them under a microscope it would resemble what we saw at the Four Seasons Centre tonight and in earlier performances from … Continue reading →

Posted in Art, Architecture & Design, Music and musicology, Opera, Personal ruminations & essays | 1 Comment

Mezzo madness at the COC Ensemble Studio Competition

Posted on November 4, 2015 by barczablog

Centre Stage 2015, the Canadian Opera Company’s ensemble competition gala, was a celebration of Canada & Canadian talent. Co-hosted by two former winners, we were treated to both official languages, thanks to Karine Boucher’s exquisite French pronunciation as a charming … Continue reading →

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Ideal Pyramus and Thisbe

Posted on October 25, 2015 by barczablog

There are several ways to approach opera composition & opera production. I would like to propose that there might be a polarity we could imagine between extremes, given that at least one of those options is entirely in the mind. … Continue reading →

Posted in Opera, Reviews | Tagged , , , , , | 4 Comments

The erotic agonies of Armide 2.0

Posted on October 23, 2015 by barczablog

Opera Atelier opened their 30th anniversary season with their latest take on Lully’s 17th century masterpiece Armide. They’ve done the work before, the greatest opera you’ve never seen.  Perhaps it isn’t performed as frequently as it deserves, but it is … Continue reading →

Posted in Music and musicology, Opera, Reviews | 3 Comments

Embedded in Oshawa Opera

Posted on October 19, 2015 by barczablog

I spent an afternoon observing auditions for Oshawa Opera alongside Artistic Director Kristine Dandavino and Michael Robert-Broder.  For the AD, an extra set of eyes and ears offer additional perspectives.  Or as she herself said, she’s the one who makes … Continue reading →

Posted in Opera, Personal ruminations & essays | 2 Comments

Enough tenors for now: COC 2015 Ensemble Studio Finalists

Posted on October 17, 2015 by barczablog

It should be no surprise that the eight finalists just announced for the the COC’s 2015 Ensemble Studio competition don’t contain any tenors in the group. No wonder, when last year the top three places in the competition went to tenors, … Continue reading →

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