Tag Archives: Claudio Monteverdi

First recording of Scarlatti’s first opera

Posted on June 21, 2020 by barczablog

You may know the name “Scarlatti”. Domenico Scarlatti (1685–1757), wrote those fascinating sonatas for keyboard, but he’s not the only Scarlatti by any means. He had an older brother Pietro Scarlatti (1679-1750) who had some success as a composer. Domenico’s father … Continue reading →

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Voices Across the Atlantic

Posted on July 19, 2019 by barczablog

The title “Voices Across the Atlantic” could refer to compositional voices or singing voices. You had Barber & Willan from our side of the pond, Brahms, Britten & Monteverdi from the other. Ditto for the performing talent, coming from many … Continue reading →

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Opera: Passion, Power, and Politics

Posted on June 1, 2018 by barczablog

There it all is, everything a boy or girl could want in one headline. Now in fact that’s the title of a big beautiful book that I’ve been reading.  And what good is a book if it doesn’t push your … Continue reading →

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Orfeo and the power of music

Posted on May 28, 2018 by barczablog

David Fallis’s tenure as the Artistic Director of the Toronto Consort ended with today’s final concert performance of Monteverdi’s Orfeo, one of the most elaborate presentations I’ve ever seen from this group. Don’t get me wrong. We were still in … Continue reading →

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Questions for David Fallis: Toronto Consort & Monteverdi’s Orfeo

Posted on May 9, 2018 by barczablog

When I interviewed David Fallis five and a half years ago concerning a period production of Der Freischütz my first sentence said that he “is surely one of the most important musical minds in Canada,” an assertion that has only gathered weight with … Continue reading →

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Ideal Pyramus and Thisbe

Posted on October 25, 2015 by barczablog

There are several ways to approach opera composition & opera production. I would like to propose that there might be a polarity we could imagine between extremes, given that at least one of those options is entirely in the mind. … Continue reading →

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10 questions for Phillip Addis: Pyramus and Thisbe

Posted on September 29, 2015 by barczablog

Canadian Baritone Phillip Addis “is praised for his creamy, bright, smooth voice as much as for his spell-binding, daring, yet sensitive interpretations. A rising star on the international stage, Addis has performed in opera, concerts and recitals throughout Canada, the United … Continue reading →

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Wallis Giunta Sins

Posted on March 24, 2013 by barczablog

When is a recital not a recital?  Perhaps when its materials and its assembly begin to outgrow that narrow definition, to resemble something bigger and more exciting; so it would seem on the basis of Wallis Giunta’s program Sunday March … Continue reading →

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