Category Archives: Opera

Inclemenza

Posted on February 7, 2013 by barczablog

We’re expecting snow here in Toronto, but it’s already somewhat inclement, if we think chilly or unmerciful. I am expanding on the experience of La Clemenza di Tito Sunday in Toronto.  I was enraptured, as were the audience: until the … Continue reading →

Posted in Opera, Personal ruminations & essays, Politics | Tagged , , , | Leave a comment

Clemenza: Apollo’s Turn

Posted on February 4, 2013 by barczablog

After a week of thinking about Tristan und Isolde –at the COC, in the Opera Exchange, at the piano and rattling around inside my head—I was ready for something different.  Tristan is many things.  It’s humongous, it’s conceptual & symbolic, … Continue reading →

Posted in Opera, Politics, Reviews | Tagged , , , , , , , | 3 Comments

Meeting Titurel

Posted on April 21, 2012 by barczablog

I wrote this as a Facebook “note” in August 2009, a kind of diary entry seen only by friends.  It came to mind today in an online conversation, and so I decided to revisit these thoughts. ~~~~~~~~~~~~ I am not … Continue reading →

Posted in Food, Health and Nutrition, Opera, Personal ruminations & essays, Psychology and perception, Spirituality & Religion | Tagged , , | 1 Comment

10 Questions for Jeannette Lajeunesse Zingg

Posted on March 31, 2012 by barczablog

Canadian dancer and choreographer Jeannette Lajeunesse Zingg has performed internationally in classical ballet, modern dance and national/historical dance.  Her training took place at The Royal Academy of Dancing in London, England and in Copenhagen, Denmark. Jeannette Lajeunesse Zingg, with Marshall … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , , , , , | 1 Comment

AtG-7DS = Against the Grain Theatre-Seven Deadly Sins

Posted on March 17, 2012 by barczablog

Against The Grain (“AtG”) Theatre’s production The 7 Deadly Sins (and Holier Fare) resists easy categorization.  As I ponder this question (what is this show?), and try to stifle the impulse to classify, I can’t help noticing that the question … Continue reading →

Posted in Opera, Reviews | Tagged , , , , , , , , , , | 2 Comments

Armide returns to Toronto

Posted on March 15, 2012 by barczablog

Opera Atelier’s production of Lully’s Armide is coming back to Toronto, the first stop in an international tour.  After a week in Toronto, May takes them to Royal Opéra, Versailles, followed by a summertime sojourn at Glimmerglass Festival in New … Continue reading →

Posted in Essays, Opera | Tagged , , , | Leave a comment

10 Questions for Lindsay Sutherland Boal

Posted on March 11, 2012 by barczablog

Trained as an operatic soprano, Lindsay Sutherland Boal began her career on Canadian and international stages singing the roles of the Countess in La Nozze di Figaro, Papagena in Die Zauberflöte, Zerbinetta in Ariadne auf Naxos and Madame Silkberklang in … Continue reading →

Posted in Interviews, Opera | Tagged , , , , , , , | 1 Comment

Carlos: By Request

Posted on March 11, 2012 by barczablog

A singing teacher I know tells me that he always gives a speech to his students early on.  It’s about the math, the reality of having a career in opera, when there are so many people studying, so few actual … Continue reading →

Posted in Opera, Reviews | Tagged , , , , | Leave a comment

A contrasting pair

Posted on March 9, 2012 by barczablog

The Canadian Opera Company will be offering a pair of one act operas in their spring season that have some things in common. Both works are set in Florence. Both works are based on literature Both have a character named … Continue reading →

Posted in Essays, Opera | Tagged , , , , , , , | Leave a comment

COC Parsifal

Posted on February 25, 2012 by barczablog

Richard Wagner figures prominently in the Canadian Opera Company’s plans.  Two Wagner operas, not one were announced for the future. You may have missed any mention of the second opera.  The announcement of the 2012-2013 season (a year of world-wide … Continue reading →

Posted in Essays, Opera | Tagged , , , , , | 2 Comments