Tag Archives: Michael Schade

Clemenza: Apollo’s Turn

After a week of thinking about Tristan und Isolde –at the COC, in the Opera Exchange, at the piano and rattling around inside my head—I was ready for something different.  Tristan is many things.  It’s humongous, it’s conceptual & symbolic, … Continue reading

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Second At Bat

I raved about the new Canadian Opera Company Die Fledermaus when it opened last week.  Tonight I had the privilege of another look with a slightly different cast. Some things inevitably work best the first time.  A joke with a … Continue reading

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Christmas Messiah

If it’s Advent season–the time immediately preceding Christmas–then it’s time for ballet companies to erase their deficits with the help of Tschaikowsky and The Nutcracker.   It’s time to shop for presents, time to eat drink and be merry. And –in … Continue reading

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Che faro senza COC?

Tonight, my last opera of the Canadian Opera Company 2010-2011 season, was my second trip into the special world of Robert Carsen’s Orfeo ed Euridice. I didn’t talk about the visuals in my review (awhile ago) because I strive to … Continue reading

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Kinder gentler Flute

I just saw the Canadian Opera Company’s new production of Mozart’s The Magic Flute.  Considering the reputation of its director, Diane Paulus, an American known for putting Haydn’s Il Mondo della Luna into a planetarium and A Midsummernight’s Dream into … Continue reading

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