Category Archives: Reviews

Louis Riel

Posted on May 17, 2014 by barczablog

When I was young there was a phrase used so often that it became a cliché, something to be joked about. What exactly was the “Canadian identity”, and –other than hockey or maple syrup –what was Canadian culture? As far … Continue reading →

Posted in Cinema, video & DVDs, Music and musicology, Opera, Politics, Popular music & culture, Reviews | Tagged , , , | 3 Comments

Questions of identity

Posted on May 11, 2014 by barczablog

Do you know who you are? Today’s performance of the Canadian Opera company production of Roberto Devereux  at the Four Seasons Centre seemed like an investigation of identity. For one thing, there’s the opera’s plot, which concerns Elizabeth I and … Continue reading →

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Quixotic Ride

Posted on May 10, 2014 by barczablog

On Thursday May 22nd Stephen R. Clarke will be lecturing on “Chaliapin: A Portrait in Recordings” as part of the Canadian Opera Company‘s free noon-hour lecture series.  I wonder if Clarke will play any examples from Massenet’s Don Quichotte?  Unfortunately … Continue reading →

Posted in Music and musicology, Opera, Reviews | 4 Comments

A Celebration of Jeanne Lamon

Posted on May 9, 2014 by barczablog

At the end they handed her a bouquet, and she immediately separated it into discreet flowers, walking among her colleagues handing one to each.  It was a moment that was so typical. Jeanne Lamon has been in the process of … Continue reading →

Posted in Music and musicology, Reviews | 1 Comment

The Tempest Replica: Icing and Cake

Posted on May 8, 2014 by barczablog

Tonight Toronto got another look at Kidd Pivot, Crystal Pite’s company from out west.  While this may be new to us, it’s not really new.  Just as Dark Matters –brought to Toronto by Canadian Stage back in 2012— was already … Continue reading →

Posted in Dance, theatre & musicals, Reviews | Tagged , , , | 3 Comments

Synesthesia III

Posted on May 4, 2014 by barczablog

Synesthesia III was a collaboration initiated by FAWN Opera, who reached out to The Seventh Art.  We saw a series of films with –mostly– live original music.  FAWN found the composers & organized the –mostly–live performance, while The Seventh Art … Continue reading →

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Back for More Moore, Bacon (and Brandt)

Posted on April 29, 2014 by barczablog

Today I revisited the AGO show “Francis Bacon Henry Moore Terror and Beauty” (or FBHM for short) that I wrote about at the beginning of April.  I’m on holiday today even if it’s a rainy spring day.  I saw the … Continue reading →

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Perfecting Persée

Posted on April 28, 2014 by barczablog

This morning I wondered, hm will I have anything to say?  This is Opera Atelier’s third Persée this millennium.  And now I have so much to say that I’ll probably have to split it into at least two separate posts.  … Continue reading →

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Radvanovsky’s Theatrical Elizabeth

Posted on April 26, 2014 by barczablog

The opera is called Roberto Devereux but don’t let that throw you.  The reason we’re there, the reason to see the Canadian Opera Company production of that aforementioned opera is for another character, namely Elisabetta, aka Queen Elizabeth. It’s a … Continue reading →

Posted in Opera, Reviews | Tagged , , , | 1 Comment

Old with New

Posted on April 25, 2014 by barczablog

I was challenged to explain & even to defend something I love.  It was my second time seeing the Canadian Opera Company Hercules, accompanied by someone who prefers Puccini to Handel. Why this old story in modern dress?  Or rather, … Continue reading →

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