Tag Archives: Kidd Pivot

Revisor

Posted on March 8, 2019 by barczablog

The hybrid creation Revisor from Jonathon Young and Crystal Pite is so much more than I can put into words, a piece of theatre that explores the process of signification while showing us the ways that it breaks down. It’s … Continue reading →

Posted in Dance, theatre & musicals, Reviews | Tagged , , , , , , | 3 Comments

Betroffenheit’s ambitions

Posted on February 21, 2016 by barczablog

I am riding the emotional high of Betroffenheit, a co-creation & co-production of Crystal Pite’s Kidd Pivot and Jonathon Young’s Electric Company Theatre, presented tonight at the Bluma Appel Theatre as part of Canadian Stage’s current season, in a run … Continue reading →

Posted in Dance, theatre & musicals, Music and musicology, Opera, Reviews | Tagged , , , , | 3 Comments

The Tempest Replica: Icing and Cake

Posted on May 8, 2014 by barczablog

Tonight Toronto got another look at Kidd Pivot, Crystal Pite’s company from out west.  While this may be new to us, it’s not really new.  Just as Dark Matters –brought to Toronto by Canadian Stage back in 2012— was already … Continue reading →

Posted in Dance, theatre & musicals, Reviews | Tagged , , , | 3 Comments

Dark Matters, or What does Dance know of Puppetry?

Posted on March 2, 2012 by barczablog

Dark Matters is every bit as mysterious & profound as its portentous title.  The work was conceived, directed & choreographed by Crystal Pite, presented by her company Kidd Pivot Frankfurt RM (KP are supported by Kulturfonds Frankfurt RheinMain) In the … Continue reading →

Posted in Reviews | Tagged , , , , , | 5 Comments