Tag Archives: Canadian Stage Company

Unsafe

Posted on March 15, 2019 by barczablog

There are nights when the theatre reminds you how lucky you are. You may think that I say this too often, but I don’t believe we say it often enough, especially the entitled white upper class twits I think of … Continue reading →

Posted in Dance, theatre & musicals, Politics, Reviews | Tagged , , , , , , | 1 Comment

Helen’s Necklace via Canadian Rep Theatre

Posted on November 11, 2018 by barczablog

I knew what I was going to see when I got to the upstairs space on Berkeley St. Oh sure, it was Canadian Rep Theatre’s staging of Carole Fréchette’s play Helen’s Necklace in John Murrell’s translation, directed by Ken Gass. … Continue reading →

Posted in Dance, theatre & musicals, Politics, Reviews | Tagged , , , , , , , , , , | 2 Comments

The Tempest Replica: Icing and Cake

Posted on May 8, 2014 by barczablog

Tonight Toronto got another look at Kidd Pivot, Crystal Pite’s company from out west.  While this may be new to us, it’s not really new.  Just as Dark Matters –brought to Toronto by Canadian Stage back in 2012— was already … Continue reading →

Posted in Dance, theatre & musicals, Reviews | Tagged , , , | 3 Comments

Dark Matters, or What does Dance know of Puppetry?

Posted on March 2, 2012 by barczablog

Dark Matters is every bit as mysterious & profound as its portentous title.  The work was conceived, directed & choreographed by Crystal Pite, presented by her company Kidd Pivot Frankfurt RM (KP are supported by Kulturfonds Frankfurt RheinMain) In the … Continue reading →

Posted in Reviews | Tagged , , , , , | 5 Comments