Category Archives: Reviews

American Hustle

Posted on March 23, 2014 by barczablog

It should be better.  The performances are mostly good.  Christian Bale is amazing with a surprisingly big gut and a comb-over, channelling the Robert De Niro of Raging Bull.  Yes, we’re told, Amy Adams can act.  This is the sexiest … Continue reading →

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Voices to discover

Posted on March 20, 2014 by barczablog

The media give us interfaces with the arts.  Yes, we can go see plays, concerts & operas in person.  But what are the credentials of those voices on TV, radio, in newspapers and elsewhere?  We’ve all heard that  line “those … Continue reading →

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Creature to Creature

Posted on March 17, 2014 by barczablog

Talisker Players’ program themed around the animal kingdom titled “Creature to Creature” was better than expected. I should explain, because I love Talisker.  Why lower expectations?  Classical programs using music about animals usually condescend. Such compositions –however excellent—are relegated to … Continue reading →

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The Miller and his Wife

Posted on March 16, 2014 by barczablog

There were two distinct parts to Puppetmongers’ shows today.   First came the magic, then the magicians –Ann and David Powell—explained their tricks. The program is among their oldest works.  The Miller was first presented in 1974 and its sequel The … Continue reading →

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Sondheim not quite by Sondheim

Posted on March 8, 2014 by barczablog

Marry Me A Little is 75 minutes or so of songs written by Stephen Sondheim.  These are songs that were cut from other shows and then assembled into a play by a bunch of other people.  It’s new at the … Continue reading →

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Patrick DeCoste: Dreaming of Bear and Crow

Posted on March 6, 2014 by barczablog

There is a particularly Canadian sensibility that I crave, an attitude that feels all too scarce these days.  I crave a real sense of history, the kind of thing I grew up watching on the CBC & the NFB.  At … Continue reading →

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Adams & Thomalla at RBA

Posted on March 5, 2014 by barczablog

Today’s free concert at the Richard Bradshaw Amphitheatre was an opportunity to hear composers John Adams and Hans Thomalla.  We heard them speak and then we heard their music. The RBA is not to be confused with an ideal concert … Continue reading →

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Unfinished dreams from Borodin to Putin

Posted on March 2, 2014 by barczablog

Today’s High Definition broadcast from the Metropolitan Opera (Dmitri Tcherniakov’s version of Borodin’s Prince Igor) threw me.  I’m sure I couldn’t be the only person amazed at how perfectly the show seemed to match what’s unfolding, while the world holds … Continue reading →

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Unexpected WWI Cabaret

Posted on February 28, 2014 by barczablog

When I say “World War I” what pops into your head? Mustard gas? Trench warfare: a stalemate in muddy battlefields? In Flanders Fields: a desperately sad poem about honour? A war of attrition? The end of illusions about heroism and … Continue reading →

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Gentle Dafne

Posted on February 26, 2014 by barczablog

The Dafne I refer to is not that of Jacopo Peri from 1598, and considered the first opera (for those who might want to make that kind of statement), but Marco da Gagliano’s 1608 setting, also using Ottavio Rinuccini’s libretto. … Continue reading →

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