Tag Archives: Canadian Opera Company

Upwards

I’ve been trying to wrap my head around the images from Kaija Saariaho’s opera Amour de Loin in its Toronto production from the Canadian Opera Company as “Love from Afar“.  When I hit the publish button the other night to … Continue reading

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Tosca tonight

Puccini’s Tosca can take one of at least a few possible shapes: It can be a riveting thriller of a story, at times keeping you glued to the action It can be a virtuoso vehicle, an opportunity for any one … Continue reading

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Operatic alchemy

The Canadian Opera Company announced its 2012-2013 season today, January 18th, a combination of works old and new.  I don’t pretend to understand how an opera company chooses their repertoire, although I think I understand some of the issues involved.  … Continue reading

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Thank you, Rob Ford

I learned about gratitude in Martin Seligman’s book Authentic Happiness.  Dr. Seligman is a key figure in a new kind of psychology, called “Positive Psychology”, positive because it’s oriented not on disorders and dysfunctions, but on happiness.  I am not … Continue reading

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Rigoletto, second cast

I had another look/listen to the Canadian Opera Company’s Rigoletto Oct 17th in a performance that was substantially different from the cast that opened earlier this autumn: a different tenor a different soprano a different baritone a different conductor Christopher … Continue reading

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A Man’s World

I saw the new Canadian Opera Company production of Rigoletto directed by Christopher Alden tonight.  It makes a nice companion to the Robert Carsen Iphigenia in Tauris that premiered last week to such acclaim.  Both productions are like close analyses … Continue reading

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Carsen’s Iphigenia

Robert Carsen has once again held up a mirror to an opera by Gluck with the help of the Canadian Opera Company.  Last season it was an award winning production of Orfeo ed Euridice.  Tonight I saw Iphigenie en Tauride, … Continue reading

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10 Questions for Simone Osborne

Simone Osborne  will be taking the lead role of Gilda in the Canadian Opera Company’s new production of Giuseppe Verdi’s Rigoletto in September 2011.  I ask her ten questions: five about her and five about her upcoming role. 1) Which … Continue reading

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Che faro senza COC?

Tonight, my last opera of the Canadian Opera Company 2010-2011 season, was my second trip into the special world of Robert Carsen’s Orfeo ed Euridice. I didn’t talk about the visuals in my review (awhile ago) because I strive to … Continue reading

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COC Orfeo ed Euridice

Some subjects are so immense that the only way to put them onstage is by making them into opera.  Gluck‘s Orfeo ed Euridice takes on all the major topics—love, death and art –in a concise 90 minute plot.  They don’t … Continue reading

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