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Tag Archives: Canadian Opera Company
Scary Don Giovanni at the COC
Well it’s about time! I’ve been watching productions of Mozart’s Don Giovanni all my life that end with some sort of ludicrous & unbelievable encounter between the anti-hero and his fake stone guest, who comes to drag him to hell. … Continue reading
Posted in Opera, Reviews
Tagged Ben Bliss, Canadian Opera Company, Don Giovanni, English National Opera, Es Devlin, Four Seasons Centre, Gordon Bintner, Joel Allison, Johannes Debus, Kasper Holten, Lorenzo Da Ponte, Luke Halls, Mane Galovan, Paolo Bordogna, Perryn Leech, Simone McIntosh, Wolfgang Amadeus Mozart
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Stunning Vixen from Canadian Opera Company
The Canadian Opera Company are currently presenting Leos Janacek’s opera The Cunning Little Vixen. This flamboyantly theatrical production is among the most colourful things I’ve ever seen on a stage. Vixen is suitable for children and makes a terrific first … Continue reading
Posted in Animals, domestic & wild, Opera, Reviews
Tagged Adam Luther, Alex Halliday, Brechtian, Canadian Children’s Opera Company, Canadian Opera Company, Carolyn Sproule, Christopher Purves, Cunning Little Vixen, Czech Music, Ema Nikolovska, English National Opera, Jamie Manton, Jane Archibald, Johannes Debus, Leos Janacek, Tom Scutt
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Varieties of inclusivity in COC Boheme
Erika and I watched the Canadian Opera Company’s la bohème today at the Four Seasons Centre using our subscription tickets, a revival of John Caird’s production that we saw in 2013 and again in 2019. As it was the closing … Continue reading
A post-truth Fidelio
Last night the Canadian Opera Company had their opening night of Fidelio in a recent San Francisco Opera production directed by Matthew Ozawa, with set and projections designed by Alexander Nichols and costumes by Jessica Jahn. Their design concept is … Continue reading
Posted in Opera, Politics, Reviews
Tagged Alexander Nichols, Anna-Sophie Neher, Canadian Opera Company, Clay Hilley, Dimitry Ivashchenko, Fidelio, Four Seasons Centre, Jessica Jahn, Johannes Debus, Johannes Martin Kränzle, Josh Lovell, Ludwig van Beethoven, Matthew Ozawa, Miina-Liisa Värelä, Sava Vemic
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Tosca on my mind
Tosca is on my mind after the final performance yesterday. Several of Puccini’s melodies are having their way with me, stuck in my head. I’m not complaining. But I can’t stop thinking about the opera and the Canadian Opera Company’s … Continue reading
Macbeth closing performance: women have it harder
Three weeks ago I reviewed the powerful opening night of the new Sir David McVicar production of Verdi’s Macbeth from the Canadian Opera Company. Today I came full circle watching the last show of the run including exciting changes in … Continue reading
Posted in Books & Literature, Music and musicology, Opera, Reviews
Tagged Adam Luther, Canadian Opera Company, Charlotte Siegel, Elinor Ross, Four Seasons Centre, Giuseppe Verdi, Lady Macbeth, Louis Quilico, Macbeth, Matthew Cairns, Quinn Kelsey, Sir David McVicar, Speranza Scappucci, Tosca, Tracy Cantin
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Creepy COC Macbeth
On a dark rainy day in the midst of Toronto’s traffic chaos I was rendered speechless by the new Canadian Opera Company production of Verdi’s Macbeth directed by Sir David McVicar. I never knew this opera could move me so … Continue reading
Posted in Books & Literature, Dance, theatre & musicals, Opera, Reviews
Tagged Adam Luther, Alexandrina Pendatchanska, Canadian Opera Company, Clarence Frazer, Four Seasons Centre, Giuseppe Verdi, Louis Quilico, Macbeth, Matthew Cairns, Quinn Kelsey, Tracy Cantin, Vartan Gabrielian, William Shakespeare
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Excited by Canadian Opera Company 2023-24 season announcement
When I saw the email on Thursday from the Canadian Opera Company announcing their 2023-2024 season it moved me to say this on Facebook: That’s more like it! COC’s 2023-24 season: Fidelio, La Boheme, Cunning Little Vixen, Don Pasquale, Don … Continue reading
Posted in Opera, Press Releases and Announcements
Tagged Alexander Neef, Canadian Opera Company, Perryn Leech
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Salome returns to tumultuous welcome
The Canadian Opera Company’s co-production of Richard Strauss’s Salome returned last night in the first of seven performances to huge applause. It’s a star vehicle for Ambur Braid in the title role, a wonderful first outing for Michael Schade as … Continue reading
Salome: from Matthew and Mark, through Oscar, Richard and Atom
It can be enjoyable to trace the changes in the way a story is adapted and/or interpreted. Salome begins in the Gospels of Matthew and Mark. Matthew 14:1-11 (NIV)1 At that time Herod the tetrarch heard the reports about Jesus, … Continue reading
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